we are lost children, take us home and give us candy

After the movie last night, Andrew and I went and found Matthew at a hotel on Burrard, visiting his friend Patrick. Patrick’s wife was there as well, and his two sons. Listening to Patrick is like looking into an unbelievable world. He’s been an american soldier since the sixties, spending time in both Greneda and Vietnam. He’s a thick personable man with a balding head and BORN TO RIDE on his right arm who tells stories like a Hunter S. Thompson. The son of a casting couch encounter, he’s not intimidating in the slightest, I want to vouch for his citizenship. His younger brother went to The Chair in Texas, getting the Death Penalty for the violent killing of five child molesters.

“I got to call down several thousand dollars in tax money once. A sniper killed a four year old, so I knew the first thing to do was to get him to give away his position. This was easy, I used to be a sniper, see, so I borrow a flack jacket off the driver of the tank, a double armored one, right? And then I stand on top of the tank and hold up binoculars and just say “here I am! Now where are you.” I saw a little puff of smoke when he shot me, right on top of one of the buildings. I didn’t really feel it when I got shot, the damned thing just threw me backwards off the tank. So I’m lying on the ground clutching my chest, trying to get my breath back. I said, “You did get his position, right?” and this feller, he says, “Yes captain, but we didn’t need that much confirmation. You’re crazy.” I couldn’t really laugh, right, but I called an air strike. Damn chest wouldn’t stop hurting, I didn’t know that when they shoot you they shoot you twice”

I broke in, “Well, yes, it’s a double-tap.”

He looked pleased. “Well, yes, it is. How’d you know that? Anyway, we stopped the snipers killing anymore four year olds, for a few hours at least. Expensive, but damn wurth it. The two bullets were this far away when we pried them out of my vest.” He holds his fingers up a few centimeters apart, “I don’t know why we kept going back there. No matter how much you wanted freedom for these people, there were always a few idiots trying to shoot you and they weren’t picky about it. I can’t stand for killing children.”

Then he leads into another place, another time. More war.

“We’d come into these villages and they would be empty. There wouldn’t be anyone anywhere, we’d scout around in the jungle, send guys out in all directions, nothing. Eventually we learned, started following the birds.”

His wife speaks up, “They just killed everyone”

“Yeah, mass graves. We’d get the caterpillars in and push the dirt back and there they were. Entire towns a few feet under the dirt. Women, babies, all the old folks too. There wasn’t anyone they didn’t bury.”
She says, “It was the shortest he’d ever been anywhere, but he was more wrecked then than any other time. It was bad. I can’t imagine.”
“I wish there was someway of telling people here.

I want to carry a recorder next time I see him. They’re here until Tuesday, hoping to move here permanently. In spite of the fact that they are everything Americans want to say they are, everything they want to claim,they have to leave. “There’s no tolerance.” I feel somehow like I’m talking with family, it’s unshakable. They’re all an odd mixture of samurai and lakota. They all grew up with horses and guns, they grew up going up mountains and defending they who require the spoken word.

How do we manage to live erasing these people? There’s no room for heroes in this day and age, the day is passing. They had lives that don’t exist anymore. We need inspiration now more than perhaps ever before and yet we’re killing it. Destroying opportunity with faulty government and lackadaisical apathy, sometimes I can’t stand it in spite of the fact that I think I understand it.

I’m apparently “actually quite alarmingly melancholoy”

Nicholas asked for writing topics earlier today. In my laziness, I decided the most evil thing to ask for would be for his interpretation of me. This was my reply:

Once upon a time, there was a princess. She lived in a fairy tale castle and kept waiting for her prince to come. In the meantime she tried kissing some frogs, but they never turned into anything (except for the one time when it was really a toad and she ended up hallucinating for the rest of the evening.) While she waited, she found herself wondering why she was waiting for a prince in the first place. Why princes? What was so wonderful about princes? And why did she have to wait for them? She thought about it some more and decioded that she might as well go and try to find the prince, because he sure as hell wasn’t coming. One day she climbed out of her bedroom window and climbed on down into the World.

So we all looked for her, of course, but nobody knows where she’s gone. Time walked on, we grew up and somewhere out there the princess is hiding.

Maybe she’s the lady behind the counter of the antique store, collecting unconsidered trifles.

Maybe she’s the girl with the pasties on her nipples from the sleezy peeler bar down on Fourth and McQueen.

Maybe she’s hiding in the bookstore down the road, the girl with the dust-covered lenses and off-colored hair showing her roots sitting behind the counter.

Maybe she’s your best friend, the one with the run down old house in the middle of nowhere and a garden covered in blackberry vines. The one that you drink green tea with, that you talk to about books and life and each other’s love lives, and the one that you never think of as anything else but, y’know, her. The one you go to parties with because neither of you have anybody else, and everybody else thinks you’re a couple and you laugh about it because you know it would never work out; she’s still waiting for a prince after all these years.

Maybe she’s the girl you wake up next to in the morning – there’s an unfamiliar pair of cold feet in the bed and a pair of nipples jabbing into your back and an arm around your chest, and you panic and relax because, oh, right, it’s just her, and you curl up and go back to sleep. In the morning – homemade Eggs Benedict and pan fries, wearing bathrobes and sitting on the porch. Five days later and you still can still smell her perfume on your body. “Call me,” she says, and you do for once.

Maybe you never see her. You stop by the castle and she’s gone, and you never find her again. Too late for you, you should have gone looking for her years ago. The castle’s fallen down now, a pile of rubble. Years from now archeologists will crawl over its corpse.

Down on the street that they call Death Row, it’s another day. The old man with the guitars strum and croak and croon, the pretty spanish boys drive by on their bicycles and the boozers and beggars sit on the sidewalk and try to remember who they once were. Somebody puts on a gramaphone record – Le Quintet Du Hot Club de France – and we can hear strings and brass weaving their way out onto the street.

50% even preference, me, on symetric VS asymetric faces

“The plural of anecdote is not data”.

This person has collected over 600 music videos for download. I’m impressed. I love music videos, they’re snapshot glimpses into a beautiful world where music threads everything into a narrative, sometimes surreal, preferably pretty, in dastardly ways. Andrew and I went to see Oldboy last night and it was like that. Not for everyone, but perfect for me. Serrated humour. Sweet brutality. The undertones of making me cringe. I cried out Marry Me to the main character after he made me wince in spite of my jade blood. Have you ever seen Sympathy for Mr. Vengeance? It’s similar. I want this in my home. A man is captured off the street, framed for his wife’s murder and put into a hotel reminiscent prison room for fifteen years. There’s a television, but that’s his only contact with the world until one day he wakes in a box on a grassy roof. He’s dressed in a sharp black suit and cannot see for the sunlight. From there he’s given the task of finding out who put him there and the why behind it. I can’t believe some of the angles, some of the framing. I want to find the director and pledge my youth to him. A year for every ounce of brilliance you download into my brain. Another year of lasting life from mine for every tricky skill you give me.

Imperative viewing if things like this make you happy: Headless Robot Zombie Science Flies.

Today I can’t remember if I have plans this evening. I can’t recall shaping words which would have defined my Saturday Night. There’s no sun today, only fake television light. Everything is lit from an unseen source. I woke next to me love this morning, and I could feel the smile blossom under my skin when I came aware enough to know the body next to me was a separate thing. We held hands in the dark until the sun came to wake us. Seven o’clock fall in, fall back and down forever.

edit: I’m told apparently that Sympathy for Mr. Vengeance and Oldboy are actually made by the same director, (which somehow justifies my ridiculous brain in some obscure way). Apparently he’s making a revenge themed trilogy and those are the first two films. The third is to be called Lady Vengeance. This to me seems a bit odd, as there was no-one left alive in the first movie to continue to a sequel. They killed everyone.