I called him last night at 3 a.m. Somehow, I thought he’d be more awake.

I was working over at Alastair’s the last couple of days. Not at home, yet still, it’s up for argument.

His place is a gentle time-warp, like a mirror only vaguely curved. I hear whispers of old conversations in what we say now, as if once we lived downtown and everything that’s been past is only traffic on the other side of the door, or as if our time apart was only a phase in an ongoing relationship that was never broken. Then I go outside.

A false sense of summer – barefoot, wet and warm, heat without end, amen – saturates the Drive. Unbidden, the words to PASSION spring to my brain and I chant it to myself in time with my footsteps as I cross the street. Reine’s sister stops to say hello, I’ve only been out the door less than a minute.

Back inside, music on, old records I remember spinning in the old eastside studio – Kid Koala, NinjaTunes, DJ something-spelled-with-a-K. I remember dancing all night. We would stay up, bass loud, crashing into the windows, making them shudder like glass drum-kits. Talking about the parties we were going to host, talking about the next gig, the latest thing the kids were into. The phone was perpetually ringing and the paintings on the wall never sold.

The Boy will be here tomorrow.


This time last year:

“… allow me to present Koreans sublimely breaking, scratching and beat-boxing a cover of Pachelbel’s Canon in D, (hosted on the always awesome Transbuddha). With thanks to dear Larry for digging it up, I’m wondering if anyone has any leads on whatever else this group has done. I love dignified cultural mash-up’s. I think taking stylistics that evolved from the South Bronx in the 1970s and combining it with a gayageum cover of a baroque german composer is possibly even more brilliant than Dr. Fu Manchu, rocking out on Casio synthesizers.

Similarly beautiful to the Korean clip is the riveting UK promo for the tv show LOST set to Portishead and enchantingly directed by David LaChapelle. (LaChapelle is the man behind Rize, the recent must-see hip-hop documentary). It reminds me of Massive Attack’s video for KarmaComa…”

That and he’s beautiful like a jade fire.


Yelena Yemchuk
Originally uploaded by Foxtongue.

A pleased yet raffish smile deepened the perfectly etched lines around his face, around his closed eyelids. A sigh, and he looked up into my eyes. His own were very light, a sensuous honey infused with the essence of dead cities, empty of orthodox sins, and extremely open in a sense that has nothing to do with age, but with the eternal youth of ancient things. I thought of gods, the old greek imaginings that drove women to madness. I thought of braille and souls.

I could describe him more, but I don’t know if you would recognize him walking down the street. He wears t-shirts and black pants just like everyone else. If he wore his hair unbound, then I might have a chance to let you stop, say hello, and examine him, see him for how beautiful he is under the poorly worn cover of being unexceptional. His hair is an inky explosion caught by a very clever illustrator, someone who fell in love with myths at an early age and let it reflect in every halo they ever drew. It’s exceptional. When his hair is wet, it catches in my throat and fills my lungs with the need to say that I am drowning. Maybe if you saw him in rain, drops caught like cliché jewels in his lashes, there might be a flash of recognition, a glimpse of how divine.

I feel so antique, describing a lover in terms of looks, but I am always transposing feelings, depths of emotion or dialogue, and yet so few ever know who I’m revealing, even when it’s myself. Earlier in the car, when I tugged on Andrew‘s hand and said, “Oh! I have news! Persepolis has fallen.”, he understood what I meant, but Tyler did not. “We talk in shorthand.”, Andrew explained, and it occurred to me that here I write in it. A code of association so baroque that only by reading for any length of time will meaning emerge from the tangle of references. Truthfully, I find myself most comfortable with people who can follow abstract trains of thought without effort, but I’m beginning to question if it’s fair. I’m wondering how often my privacy is misread. (Graham got the impression somehow, in spite of my practically rabid monogamy in the face of people like Dominique and Christopher, that I was promiscuous.) At times, it’s been psychotically useful, but part of why I continue to update almost daily is that I want to explain to my friends and family my keystone ties and transformations.

Matthew hated when I wrote about him but he would never tell me a decisive why. He would spin gluey reasons that would change, but always, (no matter how mutable), they were negative. I think, now, especially near the end, that he was trying to hide his whereabouts and actions from people who might possibly read this. After he came back, he attempted to expressly forbid me from mentioning that I stayed the night, and was upset when I ignored his injunction. (I still don’t know who wasn’t supposed to know this time. Last time it was Sarah. I know his wife used to drop by occasionally to catch up on things, her best friend tried to step in and defend him once from one of his first terrible injunctions against my decency before she understood what my complaint was, and there are other people. Friends, family maybe. I don’t know, they just show up on my counter and leave rare anonymous comments from IP addresses located in Perth or Sydney.) My next closest relationship, they were always delighted when they could find reference to themselves in my entries. It filled their heart, they said. Made them feel exponentially appreciated, like every letter added to their worth. My friend Wilhelm, he complains that he never appears here, that I only write about people I can hyperlink to, but I know that I put his little misdemeanors of complexity here quite often, so how else can I reply except by becoming, if only briefly, a more concise exhibitor?

We used to talk until the sun came up, a confused tangle of how a head will fit into an arm, how the angle of a bent leg will comfortably into the slant of another leg of a different shape. His bed was small enough for both of us, and it was going to eventually be summer. Visits were too rare, for they were addictively pleasant, and I fell very into liking him. His casual strength of thought, his delightful leaps of imagination. Ostensibly, I was living in another part of town, staying on charity at a friends apartment, but as it gradually becoming more intensely uncomfortable to stay there, this small room full with its tiny bed became my home. I would always feel welcome, but an imposition. When I visited, I would stand silent in the street with my terrified heart, trying to collect courage with the pebbles I would find to throw at his window in lieu of a doorbell. Once Loki the cat found me and sat purring at my ankle, almost causing me to cry. I wanted to feel safe, and it was ten feet away, and I couldn’t move. My housemate had pulled a dirty conversation on me earlier, full of tense demands, and I was so nervous of the world that just this little cat being kind to me was enough to unbalance me. When I crept in, quiet as to not wake the baby, I hoped he wouldn’t see my hands shaking.

Loki is gone now, replaced by two cats. One black and one white. The baby is gone and my lover’s switched rooms. His window is an undeniable bitch to hit with a pebble now. I tried the other night, failing, as it turned out, not because of my aim, but because we wasn’t home yet, and I worried with every stone about hitting the neighbors house on the rebound. It didn’t help that my hands were shaking again, my adrenaline screaming at me that I was being an idiot. Years pass and yet I stay the same. He claims it’s brave of me. To do something I’m scared to do because I know it’s the right action, but I’m not so sure. I’m expecting to have to apologise with impeccable courtesy for merely arriving while my heart is craving vindication, some forgiveness for the hour. If I’m scared, then I’m not being brave, am I? Being brave might be writing this down, not knowing what side of the disclosure line he stands on.

reminder: KEEP JHAYNE FROM JHAYLE -a party of proportion- #340 – 440 west hastings, Friday, November 25th, 9:00 – onward

empty time today



Originally uploaded by Boytoy.

I’m vacillating between listening purely to The Arcade Fire and what new music I’ve found this week. It’s a difficult decision, Funeral being a powerfully difficult album to put down.

The lighthouse is fractured, a flash of light explaining very strange pieces of personal mythology. blink The first time I was seduced by a woman. blink Going there with the band the next day. blink Balancing rocks with my missing lover, my best friend, the only person who’d met him last time. My eyes cannot be covered by my hands to shut it out. blink I don’t want to. blink It’s a strange place to think about only because I’m not used to it. I forget it exists. blink A picnic, they talked about making a music video on a sailboat for a song about whales. blink A different lover, but the same best friend. Fire. blink oh Nikki’s hair blink oh how he used to have a temper blink the painter blink the violent drinker blink different people, the time I almost threw myself in. GLITTER WARNING FLASH. One of the only lights you can accurately see across the inlet. The memories creeping into the fabric of the trees and cliffs and water. FLASH. It’s Vancouver, this particular quality of light remembering. The sign on the road. The parking lot hemmed by forest. Running the path. Running the cliff. The water looks like expensive gun-metal silk shimmering in a radio play. Everyone sits and raises the children of conversation in front of the ocean. It’s only human, but how I wish I could swim.

`Wearing an aura of rugged-intellectual charm like a plastic raincoat …’ — Sam Merwin Jr.

Fantasy spark: water warmer than this, with you.

mutable like pushing the body through dance


Yann Arthus-Bertrand – p146_f
Originally uploaded by Foxtongue.

I’m listening to River of Orchids, arguably the most perfect piece of music XTC ever crafted. It’s on repeat. I’m singing too quietly for my house to hear, but my eyes are closed as I’m typing this and I’m swaying like the most classic of butterfly catching hippie girl. Pluck, and the strings echo the sound of a drop of water exquisitely caught. Unison, tears, a little thread of hair, two fingers, pluck. It’s something complex simmered down into it’s simplest components. A long haired orchestra, a chorus of flowers. Alchemy, singing into gold. Want to walk into London on my hands one day. The harmony is untouchable, flawless, layered in every direction like the air on windless day in a sunny field full of glory. This is my hindsight soundtrack to everything good in the world. It’s both childish and meaningful, lushly encompassing a world of celebration. Visual paeans flit past my mind when I put this on too long. Winding scenes of incongruous joy.

It’s bloody addictive.

I put it on because it’s beautiful, because I’m a little bit nervous. Someone interesting is coming over for dinner and a movie. Something cyclical and charming is required, something that reminds me of stand up memories. The mural we had in the basement always disappointed me, it was always a little too dull yellow for my tastes and they never asked me to take part in any way I felt I could respect. I took pictures anyway, when we left, of that wall that I painted topless, smearing white paint with a demoniacal grin. The home-made bars on the windows were covered in gray electrical tape.

the evolution of hindsight

I saw him in a photograph today, handed casually to me across a table. Part of my heart remembered and died, the rest of me got caught in the night captured. Shane was on stage that night, in a way he never had been before. We were there, this place, but across the room. It was this person, and my person, and Him. We sat bunched up on benches, layered like only the most comfortable friends can be. One in front of the other. I could lean back and taste happiness with my skin. I did. I could lean forward and see god on stage, orating. I cried. Later became one of our own little secrets. The image of him waiting outside, “I thought you would never leave.” It was too cold, we said, we thought. It would have been perfect. A silence held between the bare space between our bones, the breath that never came after the knife slid in. I don’t love anyone else, they’ve been pushed out, replaced by this one terrible figure. This creature that drives me to need blood, to need touch, to need… to need at all. I didn’t know how before. I haven’t drawn breath since he left. I haven’t drawn breath since he returned.

I should have pressed harder when I knew something wasn’t right.

This is the oldest story. My name is Psyche. It is widow. It is dust. I am a woman and my love has left me. Thrown me over without word, fled in the night when the candle was lit, but without a stanchion of rules for me to lean against. Fled uselessly, as I have no way to find him. History says I may get over it. That is all history says. It makes no promises for having a future that is not bereft of happiness. It is more honest than that, for all that it was written by man.

He called today, maybe while I was being handed his graven image. My vulnerability flared bright, limning my walls with pain, then flickered out. Flame requires oxygen and I have none. My blood is cold, sluggish and heavy, the same as my hands dripping letters upon these keys. I love him. I finally understand an aspect of religion I never did before, the desire to have protocol, to be able to hide behind ceremony. My child inside has revealed itself to be a newly lonely thing, unholy and made of roses. Petals are falling, He loves me, he certainly loves me not at all. Maybe he did once, but he forgot. He spent too much time as a bear instead of a mouse. Living in the skin of an animal, it’s said you lose your way. I’m uncertain if allowing such creatures into the home is a good idea. They make messes, they desecrate the sacred places. He used to sleep in this bed. We used to sleep in this bed. I remember being touched, being touched without crying.

When he left, I wandered the airport, refusing to leave without finding myself a memento, a tiny piece of sadness to carry as a solid thing. You’re like a dream, what if one day I’ll wake up? My eyes grazed over tables for silver and found nothing until the very last shop. There, on a shelf, a necklace of glittering red crystals that looked like a slashed throat set in victorian pewter. I put it on before I left the building and I have yet to take it off for more than one day or one night. It carried the promise of his reality with it, holding my neck where he kissed it, where he touched me goodbye so sweetly that a porter smiled into his sleeve at us like in an old-fashioned movie. I took a picture of myself on the bus back into town, trying to see what it looked like. I tried to smile, thinking how stupid bravery is, how I wanted to cry. Black and white and read all over, that’s me, I thought. He’ll call when he lands, he’ll call and I’ll tell him about this and he’ll laugh.

I feel better that I didn’t believe him when he said he was writing about me.

time field happen on

When I was a child:
Running in the night,
Afraid of what might be

Hiding in the dark,
Hiding in the street,
And of what was following me…

Now hounds of love are hunting.
I’ve always been a coward,
And I don’t know what’s good for me.

Here I go.
It’s coming for me through the trees.
Help me, someone,
Help me, please.

Take my shoes off,
And throw them in the lake,
And I’ll be
Two steps on the water.

I found a fox
Caught by dogs.
He let me take him in my hands.

His little heart,
It beats so fast,
And I’m ashamed of running away

From nothing real–
I just can’t deal with this,
But I’m still afraid to be there,

Among your hounds of love,
And feel your arms surround me.
I’ve always been a coward,
And never know what’s good for me.

Oh, here I go!
Don’t let me go!
Hold me down!
It’s coming for me through the trees.
Help me, darling,
Help me, please!

Take my shoes off
And throw them in the lake,
And I’ll be
Two steps on the water.

I don’t know what’s good for me.
I don’t know what’s good for me.
I need your love love love love love, yeah!
Your love!

Take your shoes off
And throw them in the lake!

Do you know what I really need?
Do you know what I really need?
I need love love love love love, yeah

My Lover’s leaving this week and I’m a little bit scared that my heart won’t be as stable as I need it to be. There’s been so much waiting to even find myself where I am, a place where I feel like I can finally love this man without endeavoring to make myself small. The noun turning into verb, the cards laid levelly on the table. I’m so good at keeping everything contained, what will happen when I don’t have a constant reminder that I need? My job is a welcome distraction, something new, but not anything that can go home with me. That might be what I require. Something to keep me from sitting alone, counting inhalation after exhalation, the number of times I blink in a minute.

I don’t know what anyone reading this must think this is, what all the waiting has been about. I can only say that it should be worth it, if even only for a year. I’ve been careful without thinking, my respect paramount, and I have no idea if anyone knows the situation who does not directly know me. My regions of thinking aren’t apparently clear in these words that spill from my fingers to warm this moniter lit field. People like it that way, when they’re mentioned, when I’m writing this to them, but sometimes I would dearly like to break. Toss in names and situations that have been eating me away. Explain why I carry this ridiculous sadness, why I pretend not to be secretive about cradling pain within myself.

Sometimes a melody will draw from me something deep, a line of sunlight that cores in my arteries and forces me to go search for open air. Find some friends and explore where we’ve never been. It’s harder to do here, we have to go so much farther afield to simply find a direction that we haven’t memorized. The exercise, when successful, leaves you lost and discovering, trying to find the nearest village name in the hopes of something to eat that isn’t highway sign fast food. With temerity, we may even leave the country, switch the colour of our money for a monochrome green printed with less interesting faces. When I see a plane fly overhead, I think that the people captive inside that little machine know freedom more than I do.

Princesses dancing beneath the castle, shoes worn out every night. I was always a little jealous of those seven girls, seven nights. I am invisible, stuck in the middle, a strange drag on the boat. Again, the feel of pale stones against my teeth. I could spit them like teeth, pearly and scraped by a thousand words but instead I leave them in, swallow them clicking down my throat to rest in my belly. They can whisper there, abrading my tensions with a heavy dusk weight, grinding them down into poison that’s easier to digest into fury. Noise isn’t what I’m asking for. I want meaning to flower into splendour here, analyzed into fractal machines and the percentages of smiles versus tears, wet cheeks in rain on a sunny day.

Blood thudding in my veins. I’m going to feel so empty at the airport, just like last time and the time after that. They’re always the same, escalators and railings. Potted plants that are carefully fake, not even silk and ruined when they get wet. Signs that have been bleached blue by daily wear, left over from the seventies, when all these places were made. The big travel boom, when suddenly the globe was seen as that. When Paris was still romantic and no one here had been to Prague. I always watch until it’s time to walk away, the realization dawning that I never know where to go from there. The day should be different, something incalculable has just changed, but it’s always the same. The day spins, weaving a night and fraying into a new morning, never minding that I am without a set figure of “you”. Past participle sleeping, past and passed and the day is exactly like yesterday. No one notices.

Distraction is about to become more precious. Black leather pants and he’s not my type at all. He’s thickly built and lacks grace in his language, it’s unnerving. He doesn’t dance with me but it doesn’t seem to matter. He carries my deepest sleep in his washed hands, cupped palms full of sand that keep me mercifully above water. My skin doesn’t care that he doesn’t wait, that he doesn’t speak what it asks for. My energy can’t crackle until that happens, but somewhere there’s a key. It fits into the lock and turns stage left. I’ve seen it happen with closed eyes and an arched back. Lightning caught in a gasped breath and my hands trapped in hair. Artists will tell you that it’s all in the wrists.

I can’t help but think of Baraka



Originally uploaded by Foxtongue.

Alastair is thin, putting my arms around him is like putting flesh over bones. Until today, I’d forgotten how that felt. When I think of him, I think of what he looks like – how he smiled crookedly at me once while standing naked in front of a mirror, how he moved, quickly and fiercely, his drawn angles matching in some brilliant sketch of a walking man – and I glow for a moment, remembering.

When I met him, I thought we would be together a year. Months piling into months, days a flow of photographs and dance music. We would go to clubs together, we did when we were here and we did when we were in L.A. He would always look better than me, but I liked that. That he cared made me happy. I dance like a goth hippy, all waving hands and jutting curves, but he dances like a spider might, crouched black and thin with side to side movements. I can’t blend in as well as he does.

When he ran up to me today, he looked slightly different, like there had been a re-adjust of the system since I said goodbye at the airport. I imagine I might look a tiny different as well. I’ve lost weight again, and my hair’s turned red and gold as well as plum. It was hard to say goodbye, to decide to take that first step toward the plane.

We never were the same after a certain conversation.

Tomorrow we’re going for tea. He’s going to call in the morning. As always, I’ve not any idea what we’ll talk about, but I don’t think I have to. It will be enough to see him, imprint his cellular structure again in my mind.

I sat here (j’vous dit pas la fumée dans l’atelier…)

From where I sit, I can look up to three black birds I brought back from L.A. They rest on a garland of sage that I’ve carried with me since I first started having sex with boys. It was an afternoon of singing for strangers in a strange land. Six years ago I was beginning to claim this city for my own. The birds look alert, like they could spread their fake wings and fly through the wall to some place I’ve never been. Pop out the other side of the white stucco and into a night sky with unfamiliar constellations. I can’t imagine them having any natural sound. I can imagine the computer hiss of an old modem maybe or the blurry tone of a rotary phone. Blackbird call home, blackbird eat the clouds, blackbirds that carry an analog name that I don’t know.

I’ve got days hanging from a dreaming tree, branches tearing upward and leaving contrails behind. The sound of shoes in an airport, the hallway, the picture I took there, the way the pictures were the same coming back. I fly and I follow by accident, by motorway, by the wrong direction.

This is a simple transition in my mind, Los Angeles to Vancouver to Toronto. There’s no disorder, only misplaced moments melding themselves into the best home movie. Hands in every shot, the evolution of devotion lagging behind the reality as my eyes sweep past out plane windows and I try to find my way home. There’s a dead child out there, hanging from a damned red moon, but I don’t see it, I’m blind from the panel glare, the colours that are printed in three little dots at a time. Something broken seems to flutter from my hair and the world changes, the person in the seat next to me has seen me cry.

they tore down my childhood home

Yesterday I finally had a chance to go see for myself where the old house used to be. They tore it down on Saturday and now all left is a hole in the ground. Not a stone of the house remained. I feel somehow that I’m less of a person because I’m not sad that it’s gone, that I’m only disapointed that I didn’t get to watch the wreckers crush it into the ground. My best friend was there to see them destroy it and she said she cried – thinking about the years, her childhood, she/we had spent there. I cannot seem to care about it. No tears inside me anywhere. I have looked. I have scoured the little looked corners of my nostalgia and have found nothing.

Is there something wrong with me?