thank you interscope, for having a download error

Working with pre-release music has unexpected bonuses.

Right now, as work, I have to listen all the way through the new TV On The Radio album, Dear Science, which is set to release on September 23rd. So far, it’s rocking my existential thigh-high socks. It is addictive, it is smooth, it is a nice, sweet new direction, less thrashing rock and more sexy, sultry groove. Not as blow-your-head off as Young Liars back in 2003 or their follow-up, Desperate Youth, Blood Thirsty Babes, but still effective. Possibly a little more desperate, a little more heart-broken. I’m going to have it on heavy rotation. I’m not even all the way through and already I’m developing favourites: Stork and Owl, a snatching, heavy-bodied track, and Golden Age, similar to Cookie Mountain, but a little more mature, a little more firmly packed, with a killer chorus.

They’re playing here September 7th at the 7 Commodore Ballroom. I’ve already seen them twice, but now I really want to go.

standing up, being counted

“We stand awed at the heights our people have achieved. No gods, no religion. Us.”

The cult of Warren is strange and bizarre – standing in his shadow, I attract my own miniature flock of digital stranger crows that flap and holler. They pool in my footsteps, inky comments on breast size and comic book lines, and hop from medium to medium, trailing like shreds of three panel love songs cut with rusty scissors and animated comedy quotations.

It happens sometimes, that my friends are made larger than life, puffed with their creations into parade balloons that float on the hot air of media, swearing, writing, and song, mossy with articles, bright with light, and loud, that I get caught in the slipstream, somehow. I flutter, attached, back stage, in the green room, in the booth, behind closed doors. Crew, countryman, friend, lover. I look out and see eyes, lines of them waiting, eager, like drugs waiting to be born, delicate membranes of gossip, admiration, and downright lies, torn between trying to keep the pedestal up, balanced, and meaningful, while wanting nothing more than to climb on top. Disparate options with similar needs.

I do my best, but I can’t relate. We sit in restaurants, months out of date, how have you been, me too, this place, that bit of news, how is it, how was it, I’ve missed you, say hi to the wife and kids. We eat, trading knives like we trade stories, smile, and sign where the waiters ask us to sign. I loved that movie you were in. And I get the smile too, as if they should know who I am, what I do, why I’m here. We lie in bed together, on top of the covers, clothes on, flipping through television channels, ordering food from room service we will finish eating in the morning, after we wake, bleary, uncertain of the city, uncertain of the beige pink walls, the cold marble floor, how we’ve moved to hold each other in our sleep. We are not these incantations written on message boards, names attached to more meaning that stone. We are people, as difficult and as holy as everyone else. We make what we make, create when we can, scrape a living out of it, barely, and rinse, wash, repeat. Glory is rare.

Over 35 years ago, a plastic surgeon named Dr. Maxwell Maltz noticed that it took his patients 21 days to stop feeling phantom sensations from lost limbs. After further research, he came to find that it takes only 21 days to form a new habit. In fact, if patients worked for just 15 minutes to form a new habit every day, without skipping a day, after three weeks it was actually harder to go back to their original behavior. He wrote a book on the subject called “Psycho-Cybernetics” and accidentally founded the self-help movement.

I wish more people knew. It’s proven, too, that everything hones with practice – research, accounting, programming, painting. Even dry talent, art learned from a book, can be added to, can better itself. With the advent of the net, it’s possible for everyone to have an audience, if they only try, use the tools available.

The only way to climb is to stand on a pile of your own creation.

To live, learn, and strive.

last minute

Though I rarely attend poetry slams anymore, having fairly burned out after winning too many games of my Poetry Slam Bingo, (containing such squares as: No One Understands Me, War Sucks, I Was A Highschool Misfit, If I Punch The Air You Should Clap, Let Me Show You My Angst, I Lesbian, Counting Makes Rhymes Easy, and many more), I’m going to be working the door tonight, because holy sneezes…

Sheri-D Wilson will be featuring tonight at the Vancouver Poetry Slam!

How fantastic is that, you ask? Pretty damned fantastic. And as if having the mama of dada swing by isn’t enough, it’s also the Decathalon Slam – 2 teams, 10 rounds. As many people as possible on each team. So come be a part of the fun. It’s going to get creative. There’s going to be a cupcake eating round, a sock puppet round, a mime round, a team piece round, a 1 minute poem round, an improv poem round, and so on.

On the 1st, 3rd, and 5th Monday of every month, at Cafe deux Soleils: 2096 Commercial Drive at 4th Ave. Doors and sign up at 8. Show at 9. Only $5

Your web zen for today

HATEBEAK

The only death metal grindcore band with an avian vocalist.


Their MySpace features such songs as “Beak of Putrefaction”, “God of Empty Nest”, and “Feral Parot” (sic). For the record, the Congo African Grey parrot is named Waldo, and I really can’t stop laughing. For extra points, they’re from Victoria. Power to the locals! Weirdly, here’s a really good interview with them.

found thanks to andrew.

Also, as a bonus, an equally fantastic headline: Dog-cloner denies she was Mormon sex kidnapper Joyce McKinney.

query: any electricians in the house?

Does anyone know how to install lights? I bought a chandelier off Craigslist awhile ago, and Nicole’s then-boyfriend Brett installed it, but it’s turns out that it hangs too low and everyone keeps bumping their heads, so I went back to Craigslist and got a better one. However, Nicole and Brett are no longer together and I really have no idea how to take the old one out and put the new one in. I know that somewhere the internet will have instructions, but I am leery about attempting to muck with electricity without help.

edit: this is why the internet it fabulous. within half an hour, not only did I have a comment which made me laugh, I had actual, reasonable instructions from someone competent, and two offers from people to just come over and do it. you are all fabulous. thank you and thank you and thank you!

whoring my friends, part II

Duncan is going to be starring in one of Spectral Theatre’s Late-Night Double Features!

Every Thursday, Friday and Saturday night through until the end of the summer, Spectral Theatre has been presenting two one-act horror plays for the price of one ticket. Coming up in the final set of their summer series, they’ll be featuring two sci-fi/horror shows:

Nimbus, “a journey into the far reaches of space where the mysteries of creation end and the madness begins”,
written by Blake Drezet, directed by Michael Cope and featuring Aurora Chan, Joanna Gaskell, Vincent Riel & Devan Vancise.

and

The Hunted, “marooned on distant shores, stalked by an alien menace that boggles the imagination”,
written by Blake Drezet, directed by JC Roy and featuring Blake Drezet, Vincent Riel & our very own
Duncan “the big man” Shields.

At the Spectral Theatre Studio, 350 Powell Street. Doors at 9:30, show at 10:00. Tickets are $8. It’ll fill up fast so book your tickets early.

COILHOUSE: magazine launch party

from their site:


Held this Saturday at Hans Haveron Studios this event will be stuffed full of excellence. Look forward to:

  • Art, photography & fashion exhibit
  • Refreshments, with Mer’s “special” Electric Lemonade
  • Incredibly strange music
  • Photo booth with weird medical props, straight from Zo’s cave
  • Wall projections of Issue 01 art
  • Your first glimpse at the actual magazine!

    Enjoy art.
    Become art via expert lenses of Polaroid superstar Lou O’ Bedlam and Zo! Style Technician’s own Andrew Yoon.
    Dress your snazziest and bring your friends.
    Everyone’s invited!

    I’m sending Antony as my proxy, as the second best thing to being there, but hell, if I were even a smidgen closer, I’d drop everything to attend. My friends are doing snazzy work and I support them 100%. (And, yes, one day I’ll get around to writing an article, I promise). I hope every single one of you who live down there will go and send me photos! My bleak little heart will break if you don’t.

  • The word “lethologica” describes the state of not being able to remember the word you want.

    group shot (knocking things over)

    Small tornado hits Montreal

    When Nicholas popped up on my messenger yesterday, “I’m in town.” I had no idea of the strange place he would end up taking me. He and Ben, a musician friend of ours, were over from the Island to pick up a keyboard of some sort, a synthesizer with a vowel littered name that sounded futuristic to the seventies, like Aurora or Beacon, the details of which I missed completely. They were very excited about it. To me, the synth had keys, it had buttons, I’m sure it splutters and hums and does shiny, strange things with music and sound, but it, however, was not the fascinating bit of our miniature trip. Oh no, the mesmerizing detail was the studio – a tiny, triangle attic, thirty feet by eight, nailed to the ceiling above a car detailing shop, walled with mad science.

    To find it, we were led through a shabby looking suite of empty offices, white paint turned cream by time, the desks a papery brown faux-wood laminate with peeling chrome legs, to a vast, creaking warehouse space full of sports car knock-off’s and chintzy seventies boats painted lime green and touched up with tiny flame decals under every window. A clothesline hung on one wall, dripping with soggy car mats, under a row of incredibly expensive looking lights. Next to this, past one of the two open doors bigger than the square footage of my apartment, we walked up a thin set of stairs which led up to what looked like a sports commentary booth at a home-ground baseball game.

    Opening the door was a step back thirty, fourty years. The smell hit me like a hoisted rag. It was deep, rich, and musty, a carpet of blazing old dusty rock and roll that’s been left to ferment under a layer of antique audio equipment, tubes burning orange, dramatic knobs, row on row.

    The left wall, where the sloping roof connected downward, was entirely lined with faded LPs, more records than could be counted in a week, and boxes of small disks, a haven of trapped sounds, chords past understanding, enough samples and songs to listen longer than a year. The right wall was equipment, soft green lights, wires in spaghetti tangles in sockets labeled SUNSHINE HUM, INPUT, SOCKET WRENCH, LEFT OUT, FLANGE, rows of it, stacked in racks, screwed into brackets, higher than I could reach, above thirty years of synthesizers, framed in retro-golden, tinny metals, and deep black plastic. Between these two overwhelming walls of sound was an upside down forest of thin cords and microphones hanging from the ceiling, presumably attached somehow to the veritable museum collection of fuzztastic furniture.

    Somehow in the overwhelming sea of burned tinfoil brown, Nicholas and Ben were able to immediately pick out their purchase, an unassuming, almost modern keyboard, not even old enough to weight a ton. The owner of the place, a friendly man with short hair and a boring t-shirt, who arrived on a motorcycle that looked slightly too big for him, offered us the record collection as a lot as he counted his money. We said yes, of course, who wouldn’t, and left, content, the smell of the room lingering on our clothes as we packed hurriedly into the bench of Ben’s WWII Swiss army bus, worried about catching the last ferry back home.