the poet sent most often

ULTIMATUM by Philip Larkin

But we must build our walls, for what we are
Necessitates it, and we must construct
The ship to navigate behind them, there.
Hopeless to ignore, helpless instruct
For any term of time beyond the years
That warn us of the need for emigration:
Exploded the ancient saying: Life is yours.
For on our island is no railway station,
There are no tickets for the Vale of Peace,
No docks where trading ships and seagulls pass.
Remember stories you read when a boy
– The shipwrecked sailor gaining safety by
His knife, treetrunk, and lianas – for now
You must escape, or perish saying no.

echoes of a bell jar

“Because I’ll Never Swim in Every Ocean”
by Catherine Pierce

Want is ten thousand blue feathers falling
all around me, and me unable to stomach
that I might catch five but never ten thousand.
So I drop my hands to my sides and wait
to be buried. I open a book and the words
spring and taunt. Flashes—motel, lapidary,
piranha—of every story, every poem I’ll never
know well enough to conjure in sleep.
What’s the point of words if I can’t
own them all? I toss book after book
into my imaginary trashcan fire.
Or I think I’ll learn piano. At the first lesson,
we’re clapping whole and half notes
and this is childish, I’m better than this.
I’d like to leave playing Ravel. I’d like
to give a concerto on Saturday. So I quit.
I have standards. Then on Saturday,
I have a beer, watch a telethon. Or
we watch a documentary on Antarctica.
The interviewees are from Belarus, Lima, Berlin.
Everyone speaks English. Everyone names
a philosopher, an ethos. One man carries a raft
on his back at all times. I went to Nebraska once
and swore it was a great adventure. It was.
I think of how I’ll never go to Antarctica,
mainly because I don’t much want to. But
I should want to. I should be the girl
with a raft on her back. When I think
of all the mountains and monuments
and skyscapes I haven’t seen, all the trains
I should take, all the camels and mopeds
and ferries I should ride, all the scorching
hikes I should nearly die on, I press
my body down, down into the vast green
couch. If I step out the door, the infinity
of what I’ve missed will zorro me across
the face with a big L for Lazy. Sometimes
I watch finches at the feeder, their wings small
suns, and have to grab the sill to steady myself.
Metaphorically, of course. I’m no loon.
Look—even my awestruck is half-assed.
But I’m so tired of the small steps—
the pentatonic scale, the frequent flyer
hoarding, the one exquisite sentence
in a forest of exquisite sentences.
There is a globe welling up inside of me.
Mountain ranges ridging my skin,
oceans filling my mouth. If I stay still
long enough, I could become my own world.

my life in the belly of the world beast

“Astronomy”
by Albert Goldbarth

It dies. And a gazillion years in the future
the sight of its dying reaches Earth.
— Computed in dinosaur years, that’s three days
from the brain’s death to its being recognized as dead
in the far frontiers of the tail.

Night. A party. “Come out here for a minute.”
Dina told me: she’d miscarried. But
her body hadn’t registered that yet, it kept
preparing for a birth. And so we sat on the porch
in silence for a while, in the light of that star.

from here to there, from me to you

Middle Aged Lovers
by Erica Jong

Unable to bear
the uncertainty
of the future,
we consulted seers,
mediums, stock market gurus,
psychics who promised
happiness on this
or another planet,
astrologists of love,
seekers of the Holy Grail.

Looking for certainty
we asked for promises,
lover’s knots, pledges, rings,
certificates, deeds of ownership,
when it was always enough
to let your hand
pass over my body,
your eyes find the depths of my own,
and the wind pass over our faces
as it will pass
through our bones,
sooner than we think.

The current is love,
is poetry,
the blood beat
in the thighs,
the electrical charge
in the brain.

Our long leap
into the unknown
began nearly
a half century ago
and is almost
over.

I think of the
amphorae of stored honey
at Paestum
far out-lasting
their Grecian eaters,
or of the furniture
in a pharoah’s tomb
on which
no one sits.

Trust the wind,
my lover,
and the water.

They have the
answers
to all your questions

and mine.

I’m a size ten

There is an awful, delightful old tradition that women have “permission” to ask men for their hand in marriage on Leap Day, with the added impetus that if he refuses, he must give her the gift of a silk dress and a kiss to soften the blow. So, with the best of intentions, I asked one of my dearest friends to marry me today. (He is pretty great.) This is the glorious, achingly beautiful poem I received in reply, proving, I believe, that it was a win-win situation either way:

Handy Guide
By Dean Young

Avoid adjectives of scale.
Dandelion broth instead of duck soup.
Don’t even think you’ve seen a meadow, ever.
The minor adjustments in our equations
still indicate the universe is insane,
when it laughs a silk dress comes out its mouth
but we never put it on. Put it on.
Cry often and while asleep.
If it’s raw, forge it in fire.
That’s not a mountain, that’s crumble.
If it’s fire, swallow.
The heart of a scarecrow isn’t geometrical.
That’s not a diamond, it’s salt.
That’s not the sky but it’s not your fault.
My dragon may be your neurotoxin.
Your electrocardiogram may be my fortune cookie.
Once an angel has made an annunciation,
it’s impossible to tell him he has the wrong address.
Moonlight has its own befuddlements.
The rest of us can wear the wolf mask if we want
or look like reflections wandered off.
Eventually armor, eventually sunk.
You wanted love and expected what?
A parachute? Morphine? A gold sticker star?
The moment you were born—
you have to trust others because you weren’t there.
Ditto death.
The strongest gift I was ever given
was made of twigs.
It didn’t matter which way it broke.

bang bang, that awful sound

How Do You Know
Joe Mills

How do you know if it’s love? she asks,
and I think if you have to ask, it’s not,
but I know this won’t help. I want to say
you’re too young to worry about it,
as if she has questions about Medicare
or social security, but this won’t help either.
“You’ll just know” is a lie, and one truth,
“when you still want to be with them
the next morning” would involve too
many follow-up questions. The difficulty
with love, I want to say, is sometimes
you only know afterwards that it’s arrived
or left. Love is the elephant and we
are the blind mice unable to understand
the whole. I want to say love is this
desire to help even when I know I can’t,
just as I couldn’t explain electricity, stars,
the color of the sky, baldness, tornadoes,
fingernails, coconuts, or the other things
she has asked about over the years, all
those phenomena whose daily existence
seems miraculous. Instead I shake my head.
I don’t even know how to match my socks.
Go ask your mother.
She laughs and says,
I did. Mom told me to come and ask you.

we could have been a beautiful machine

A Week Later
by Sharon Olds

A week later, I said to a friend: I don’t
think I could ever write about it.
Maybe in a year I could write something.
There is something in me maybe someday
to be written; now it is folded, and folded,
and folded, like a note in school. And in my dream
someone was playing jacks, and in the air there was a
huge, thrown, tilted jack
on fire. And when I woke up, I found myself
counting the days since I had last seen
my husband-only two years, and some weeks,
and hours. We had signed the papers and come down to the
ground floor of the Chrysler Building,
the intact beauty of its lobby around us
like a king’s tomb, on the ceiling the little
painted plane, in the mural, flying. And it
entered my strictured heart, this morning,
slightly, shyly as if warily,
untamed, a greater sense of the sweetness
and plenty of his ongoing life,
unknown to me, unseen by me,
unheard, untouched-but known, seen,
heard, touched. And it came to me,
for moments at a time, moment after moment,
to be glad for him that he is with the one
he feels was meant for him. And I thought of my
mother, minutes from her death, eighty-five
years from her birth, the almost warbler
bones of her shoulder under my hand, the
eggshell skull, as she lay in some peace
in the clean sheets, and I could tell her the best
of my poor, partial love, I could sing her
out with it, I saw the luck
and luxury of that hour.

I am lost

Each Sound
by Dorianne Laux

Beginnings are brutal, like this accident
of stars colliding, mute explosions
of colorful gases, the mist and dust
that would become our bodies
hurling through black holes, rising,
muck ridden, from pits of tar and clay.
Back then it was easy to have teeth,
claw our ways into the trees — it was
accepted, the monkeys loved us, sat
on their red asses clapping and laughing.
We’ve forgotten the luxury of dumbness,
how once we crouched naked on an outcrop
of rock, the moon huge and untouched
above us, speechless. Now we talk
about everything, incessantly,
our moans and grunts turned on a spit
into warm vowels and elegant consonants.
We say plethora, demitasse, ozone and love.
We think we know what each sound means.
There are times when something so joyous
or so horrible happens our only response
is an intake of breath, and then
we’re back at the truth of it,
that ball of life expanding
and exploding on impact, our heads,
our chest, filled with that first
unspeakable light.

-::-

There was a kiss that tasted like reëntry, the sky hitting the brakes with a roar, that blazing, intimate acceptance of a spacecraft into atmosphere, every unlikely angle, one head tilting to another, a scorched, soft light jet-stream wish to return home. History made and slammed back like a shotgun round. A promise on the wing, the ground salted, memories buried. The cast lines up, takes a bow, walks off stage, and leaves their shadows behind as the curtain falls, and it tasted like hello as well as goodbye. My apartment is choked with memories, my neighborhood is a cemetery, same as the highway south, much like my life.

He asked for my writing once, to permanently tattoo, something short, beautiful, meaningful. “Between our hands, we could have made fire”. To the death, he said, to the guttering of the sun. (The next one, he gave me nothing I have not been able to give back.) In the archives, our shared love, deliberate and valiant, a blazing comet made of fiercely bared skin, and the small delicate jewelry we wore in our ears, drops of garnet dipped in silver, lost but unforgotten. I send him a message just after midnight, from a number he doesn’t know: I am still wearing your name at the base of my breath.

don’t you remember how It used to be beautiful

The Letter
by Dana Gioia

And in the end, all that is really left
Is a feeling—strong and unavoidable—
That somehow we deserved something better.
That somewhere along the line things
Got fouled up. And that letter from whoever’s
In charge, which certainly would have set
Everything straight between us and the world,
Never reached us. Got lost somewhere.
Possibly mislaid in some provincial station.
Or sent by mistake to an old address
Whose new tenant put it on her dresser
With the curlers and the hairspray forgetting
To give it to the landlord to forward.
And we still wait like children who have sent
Two weeks’ allowance far away
To answer an enticing advertisement
From a crumbling, yellow magazine,
Watching through years as long as a childhood summer,
Checking the postbox with impatient faith
Even on days when mail is never brought.