queer as funk

I’m assuming the stance of another gender for Mike’s show tonight up at SFU, genderqueer cross dressing dancing and a show. I expect there to be at least one shirt entirely made of glitter. My hands don’t remember how to get the knot right on my tie, but I’m feeling the shift of solid hips settling into me without thinking about it. I don’t have to concentrate to be a boy, it holds my body like I was made to be someone who sits with open legs and wide held arms. There’s barely a shift, honestly, I tend to think a little too evenly for that. My eyes see equality where there isn’t any and my fingers trail across the edges of many cliches. (Oh come on, baby, don’t be that way.) It’s a blue collar rejection letter, the way my flesh expects my partners to be either sex or both, the way I slide my hands up the chest expecting to find breasts or down expecting to slip between folds when they’re pressing iron into me. I’m bad that way. There’s a beat I follow and it’s likely pounding over the floor at the gay clubs.

Hair in at ponytail snug a the base of my neck, body bound underneath my gentlemans jacket, fingernails scraped clean of enamel, I feel rather at home like this. It’s nice to look down and see my feet, (though the stud earring feels wrong). I look younger, I’m going to have to show me ID at the door. Last time I did this, I had a handful flurry of phone numbers to throw away. I felt guilty for the trees. If there’s time after, I’ll be heading to Lick for the aftermath of a femme reading night.

A passage from “The Colossus of New York” by by Colson Whitehead:

“The light changes and he has that wish again: that every step he ever took left a neon footprint. Every step, from his first to these. That way he could catch up with himself, track himself through the city and years. See that the last time he walked this block he was tipsy or in love. Here determined, there aimless like today, no particular place to go. If he could see his footprints, he’d know his uncharted territories, what was yet, and where never to return. Some of the old stores are gone since last time. What comes at their address is bright and shiny like new keys. New keys fit new locks. It is rare here that the new establishment is more downscale and if only he could make his self and ideas like real estate: ever higher. God knows he has tried to keep up with the changing market but his new shirt will only go so far- once they step inside they recognize the same old merchandise and demur. He has swept up, his brain gets so dingy sometimes, but they will not see his renovations and he is a dead trade, something remembered only by old phonebooks. Blacksmith, knife sharpener. Walk faster.

If anyone has this book, I want it.

no pretty lady, no fatal attraction replay (I’ve never even seen the movie)


superloveplant
Originally uploaded by Foxtongue.

Alright, this is worth a mention if anything is: the homosexual necrophilactic duck has won the professor a nobel prize. Yes, the GAY CORPSE FUCKING DUCK WON A NOBEL. An Ig Nobel, but still – we live in a good, grand world. The man who invented the karaoke machine just won one as well. Be happy and joyful. Also, prolonged exposure to country music makes you kill yourself. “The results of a multiple regression analysis of 49 metropolitan areas show that the greater the airtime devoted to country music, the greater the white suicide rate.” The most quotable quote there? The effect is independent of divorce, southernness, poverty, and gun availability.

My eyes flashed tonight, beacons of frustration railing against my inability to explain why I feel trapped in this city. This small growing place made up almost entirely of people from small towns who think they’re finally somewhere big. There used to be farms where there’s buildings now, there used to be moose walking down some of our main streets. I remember when there used to be something special in watching a moose get hit by a semi-truck and walking away unscathed with merely a twitch of its skin and a withering look at the driver behind the now cracked windshield. Now I wonder if they ever cross a highway unmolested by five tons of metal. I think I’m starting to get tired of moose. Tired of moose and sick of the art of the Haida Gwai. I need to be away from totem poles and bears in the backyard. I’ve been to so many small towns, and none of them have anything to give me. They’re a bar and a store and a restaurant, one of them parasite with a gas station. There’s always an upright video game in the corner with a pre-teen boy permanently attached because there’s nothing else to do. Think paper pull tab lottery tickets, three chances to match cherries or bars. A jackpot meaning a beer on the house.

I wish there was a way to see anything new here. I wish I could see home as being something within 100 miles of here, instead of anywhere elsewhere more established. I’m crying for a sense of history, or somewhere that has some meaning. At least I have a reason now for staying, another dream to add to me. I can listen the colour of eyes that tell me about half a world away, about people who have died that I’ll never meet, about possibilities inherent in living together. It won’t last forever, this chain, the pull will erode even this from pain as the mouse knaws itself out of the glue trap unthinking. Escape is the goal, the idea, the final word which blossomed the sun into creation. Seventh day countries born from gold and brown and the theory behind frozen children. To send me away is always the wish of those closest to me, to let me see the world before I go blind.