We’ve “moved” to Cambie & Broadway. Suck. Least now I have a key to the “house”

The Glamorous Life of Sachiko Hanai, the only Japanese sex film that manages to combine explicit sequences of carnal lust with discourses on existentialism and a satire on the Bush administration.

Recieved my very first naughty internet solicitation this week, (thank you Myspace). It’s rather specific:

“I would do anything you ask if you made me your bitch. You could do anything and everything you wish to me, anything for your pleasure. I would love to obey your every command and serve your every whim. I would love to crawl to you and kiss your feet, and beg for the pleasure and honor of serving you. It would give me no greater pleasure then to be dominated by you and do everything that you command. Please let me serve you, please make me your bitch.

I beg to serve you Goddess, I will do whatever you wish. For the honor of smelling and kissing you feet I will do anything you ask of me Goddess.”

His profile tells me that “he” is a 24 year old Virgo living in Richmond. Great. A local. Fab. I would suspect he has no idea how often I wander around the city without any shoes on. I doubt there’s much sexy left when the soles of my feet are black.

Anyone have any clever answers for him?

No matter that I’m a million useful things, it’s entirely outside my areas of expertise. My first reaction is to go over it with an evil red pen. “I understand that you may have been a little excited while writing your letter, but possibly it should read: I beg to serve you COMMA Goddess PERIOD I will do whatever you wish for the honor of smelling and kissing youR feet PERIOD I will do anything you ask of me COMMA Goddess.”

Various Artists – Wakka Chikka Wakka Chikka: Porn Music For The Masses Volume 1: 17 individual artists interpretations of what the porn movie ‘Wakka Chikka Wakka Chikka’ music represents.

KURT VONNEGUT, 1922-2007 “make me young, make me young, make me young!”

“Hello, babies. Welcome to Earth. It’s hot in the summer and cold in the winter. It’s round and wet and crowded. At the outside, babies, you’ve got about a hundred years here. There’s only one rule that I know of, babies — ‘God damn it, you’ve got to be kind.'”

I received a dozen e-mail this morning regarding Kurt Vonnegut’s death and today it is all my friends-list is writing about. Thank you. I found out last night, almost as the last conscious in-put I managed. Dark, brilliant, cherished, he died last night in his home in Manhattan at age 84. He had fallen several weeks ago and received brain injuries. I hope it was as peaceful can be.

I thought, as I slipped into sleep, that I wanted to hold him close a moment, and then I was gone. Waking, he was my first muzzy thought. I do not feel bereft, as thousands are today, but I do feel unsettled, as if something essential has gone missing. His easy, beautiful writing was unique, (a good trick if you can manage it), and everywhere today are stories about how his books changed lives for the better. 14 astonishing novels in 84 years. One of which, the semiautobiographical Slaughterhouse Five, (he was one of just seven American prisoners of war to survive the Dresden Fire Bombing, an act he later described as “a work of art.”), is considered one of the best American novels of the 20th century, appearing on the 100 best lists of Time magazine and the Modern Library. Go, read them all, for they are all gifts to the world. There was never an artist quite like him, his lyricism should never be neglected. It is with regret that I say I have not given away his books enough.

“I am, incidentally, Honorary President of the American Humanist Association, having succeeded the late, great science fiction writer Isaac Asimov in that totally functionless capacity. We had a memorial service for Isaac a few years back, and I spoke and said at one point, ‘Isaac is up in heaven now.’ It was the funniest thing I could have said to an audience of humanists. I rolled them in the aisles. It was several minutes before order could be restored. And if I should ever die, God forbid, I hope you will say, ‘Kurt is up in heaven now.’ That’s my favorite joke.”

may there be mercy on my procrastinating

Diabetics cured by stem-cell treatment.

Dee and I have been discussing The Future today. I found a New York biomechanical sculptor who made an elaborate steampunk faux eye-tap for a Dutch recording artist. (I love sentences like that). It’s useless, sadly, though it looks pretty. My idea, prompted by Mike, is to re-mix such a sculpture with these instructions to make an attractive gargoyle camera. I can’t figure why it’s not possible.

Dee’s point, however, was that such a creation would be almost retro now. I agree. It smacks of the retrograde innocence tied to Raygun Gothic, part of the nostalgia arc which continues to widen. In the 80s and 90s, people were reaching back to the 20s and 40s, the flying cars and bubble-cities on the moon that western civilization seemed certain would exist by the year 2000. (Flash to all the scientsts who’ve claimed we’ll have AI “in the next five years” for the past fifteen.) Now, however, we’re tying ourselves to yet another ideal we never really captured. Instead of wincing over the 80s obsession with fractals, we’re coasting past the smooth plastic dreamscape of never having to clean your kitchen all the way back to the Victorians with their clockwork automatons and overly elaborate brass chasings. Goggles, dirigibles, dramatic clothing with too many buttons and locomotives… It’s fun and adventure in a way that cellophane furniture never was. Re-creating Jules Verne, but with better technology. Workable technology. A group in San Francisco are even trying to build a Steampunk Treehouse for burningman 2007.

who wants to make cake?

Wednesday, April 11th is the birth of Anton Szandor LaVey, founder of the Church of Satan.

To celebrate, we will be usurping Michael Elliot‘s hot tub in honour of DJ Spaz Mike‘s birthday.
He is now a grown-up and should be shown the error of his pure and pretty electrotrash ways.

All are welcome. Chocolate is encouraged, as are naughty underthings.

this event is downtown, at smythe & richards
either call or leave a comment for directions

Festivities commence at 7pm.

I don’t know if I should write when I’m this tired : 11pm & I still need breakfast


picture by Bertrand Shi
Jhayne Holmes' Facebook profile

My PRO Flickr account expires this month on Wednesday, April 18.

Acid:

Exhaustion drops him into my lap after work like a fantasy from my most feminine of secret hearts. Even in such tired disarray, he’s baroque jazz music – eyes drawn shut – every meeting another delicate discovery of something else I like. (His middle name is the name of the first man I lived in love with.) I feel like Rapunzel, the way his eyes seem to light when I let down my hair. Mornings congeal upon arrival, unbearable and vulnerable, to be resisted, so we shed our trembling days like skin in the evening’s tiny gestures, the taste of a fingertip, the angle he rests his head in my lap, clever conversation’s chance miracles. Tilting windmills Myth: We seem to only see each other at night. I may never kiss another blonde again.

Tonight I am sleeping alone. Bruised velvet stockings, a black slip made of something that isn’t silk. My lipstick poorly wiped off, I dressed up too well too late. My only company is a book and a neglected free movie pass, crumpled, a bookmark instead of a date.

Base:

Fireworks only work if the wind is right. Horizons are susceptible, just another line to create the backdrop of the sky. Too high, too loud. It’s never as safe as we say it is, which is why it’s perfect. Our fishnet talk of fire led to phone-numbers, dinner, dancing. Other people do this all the time, but we’re a little out of practice. Loud eighties music, barely recognizable. The almost clinically precise shift between songs destroy the music. DJs as A.D.D. trash. Wankers popular with underage girls and not much else. He’s drinking vodka. We’re dropping the names of dead poets and talking about L.A. It was earnest, not a sly nod to the old fifties protocol of pulling out her chair, but legitimate – possibly the first time I’ve ever properly Gone Out. The only other time was an accident. Slip of the tongue, whoops, what?

The elevator is familiar, so is the art on the walls and the echoes of a previous life. No culture, but no secrets. Everything interstitial. Ready to fly away. Black t-shirts and corporate chosen furniture, everything laid out; change on the table, (a boy affectation I’ve recently started doing myself), and too many dirty cups. Instantly recognizable, like the lyrics to a song you liked as a child, I feel I’ve stepped off a cliff only to be caught by a feather bed. Of course, the bed is like a barely padded brick. The couch, however, is another story entirely. One full of sensitive princesses in borrowed pink blankets and peas individually wrapped in uncoated plastic.

Salt:

“We’re getting better at this.”

A man of smooth angles, I find he’s attractive like a lullabye, something perfectly suited for the edge of sleep, almost an unfinished sketch of some living holy ikon, with dreaming lines that run invisibly off the page. It was a shock to see him in daylight, as if I expected him to dissolve like pale flowers in a heavy wind.

“Affection is as addictive as anything else on earth.”

black and white grainy fear films

Chocolates shaped like Hep-C.

The rain against the glass wall sounded like ice-sheets breaking. He found me last night in the hall, a knot of velvet resolution reading at the door. Ninth floor. I held my hand to his heart and felt as he fell asleep. A smile and his entire body sighed.

Ukrainian Fairy-Tale Graffiti.

There are four hundred stainless steel rods precisely equidistant in a field in a valley approximately 200 miles south of Albuquerque in New Mexico. You are not allowed to take pictures. In July and August, the cost to visit is $250 per person. Reservations must be made through written correspondence and you may only reserve one night only. The delineated space of these four hundred rods is a grid exactly a mile long and a kilometre wide. They were placed there by a man named Walter De Maria. They are lightning rods. That is their purpose, their conversation, their drop-dead-gorgeous meaning, to call down the gods. The Lightning Field is available for visiting from May 1 through October 31, seven days a week. I have never been, but I am still in love.

“Tyger, Tyger, burning bright.”

The most terrifying thing I have learned this week is that bees are disappearing. The worker bees are leaving the hives and never returning, and without them the queen and larvae aren’t cared for and the colony collapses. My belly goes cold, reading the articles. No one is finding drifts of dead bees, only that the hives are now barren. Millions of them have vanished. It feels unreal. There is a range of theories regarding the missing bees, but none with any explanation. Most presume the bees are presumably collapsing in the fields from exhaustion or becoming disoriented and dying in the cold of night, unable to find their hives again, but do not say why these guesses are likely. Researchers have given the mystery a name, presuming it’s an illness they call colony collapse disorder. I am scared, understanding only that this is a sign of a ruin far greater than the articles seem to see. Cue music, run credits. Black.

point made

Andrew sent this when I was at Michael‘s yesterday. We curled up in his chair together, aghast, seriously wishing there were more video. My obscure reaction? How dangerous it must feel to play The Red Violin in a subway station. (The article’s a bit long, but only because the author’s obviously very passionate.)

Today it’s on Neat-o-rama:

Internationally-known violinist Joshua Bell played busker at a Metro station in Washington, DC during morning rush hour recently. It was an experiment to see if anyone would recognize him, recognize the talent behind the music, or would drop money in his case. What do you think happened? The results may surprise you. The cover story in today’s Washington Post Magazine includes videos of the experiment. Link

the difference between real bottles and break away glass


I like watching him hold a cigarette. Downtown shines below us, Granville street lined with tiny people, “extras in our movie,” flirtations of humanity. We’re talking about celebrity, the breath of fame that doesn’t exist anymore. People are famous for being famous, but it doesn’t last. The meta time, idol tenacity, that fresh new wonder, is gone. There will never again be a Beatlemania or a name as household as Madonna. We only have this life. Globalization washed away all of the sixties tears, leaving instead a wide wash of sand, every grain a name slipping through our fingers. Commercialized and replaced by interstitial realities, it’s all quick cuts, colour filtered music videos, shadows of elusive hard rock cocaine and a glossy ten minutes before the sad talk show circuit takes over. Media immortality has been transformed, an object of passion and fury re-made into the sort of pleasing detail you do not seem to notice until it is gone.

A ray of sunlight has thrust through the clouds to perfectly illuminate just the cherry tree outside my window. The blossoms shine pink like it was newly invented for precisely this moment. It glows, separate from the street.

My bus came early this morning, Sunday schedule, holiday. I kissed him goodbye, then ran in the other direction, stopping only to turn and watch (admire) his profile walking at twenty paces. In this quintessential Vancouver light, soft and unearthy, lacking shadows, he seemed like the scribble of a soundtrack, something kind used to emphasize the loneliness of industrial neighborhoods. I looked away, suddenly shy. Kittens were waiting, Alastair, messages at home, work. On the bus the driver liked my hair, like everyone does. Six comments a day, all this week.

The skytrain felt like a truck stop, empty and laminated, like there might be heart healthy options and too pale coffee waiting when I got off. Briefly I wondered how I would have to change my schedule to run into Troll, but the thought didn’t survive to the top of the stairs. I was too busy engraving my week into my skin, tracing conversations into my brain. A girl on the bus smiled to herself and crossed her legs, innocent but for the slight blush and a tell-tale whitening of knuckles as she looked down. I caught her eye and smiled back, confident that we shared a secret, the anonymous enjoyment of private reminiscence. Out of silence, we shared a (random) laugh. I think we felt beautiful. She said, “It’s been a long time.” I said, “It has.”

I really want there to be hot water faster

exhibit 5: blue over me

“Honest, your honor, I thought she was 16.”

Look! There’s weather today!

Antony wanted proof, locked as he is in his dark little office, too sick to go out for a cigarette, so I broke the lock on the trapdoor to the roof, took photographs and sent him a pictorial essay: on the treatise that the sky can be a blue colour in the city of Vancouver. It was deliciously warm up there, perfect for my bare feet.

Of course, since I was up there, a gray haze has been taking back the sky. I say we petition and have it thrown out.

Nicole and I are continuing Alastair‘s bathroom today. When we’re done it will be a pale ghost of butter yellow with a cheerful blue sky on the ceiling. It’s all Very! Spring! I’ll try to remember to take pictures. His shower curtain alone is worth the price of admission.

Yesterday Andrew met a man who’d never seen the ocean before. “Tourists took pictures of him, swimming fully clothed, just off the seawall.”

(Apparently it’s a holiday. Happy Guy-Onna-Stick Day).

getting used to being up at 7:30 in the morning is a crime (or should be)

Dynamo is the 3D animated short that just won the Imagina’s Schools and Universities prize. Benjamin Mousquet and Fabrice le Nezet, the creators, answer questions about their atypical crossroads of clever nonsense and unexpected meaning at ITS ART Magazine&lt, a digital art magazine available in English and French.

ITS ART Magazine&lt is a wonderful resource. I highly recommend taking the time required to explore their small video library. It’s slavishly devoted to high end, quality computer animated shorts. It can be a little hit and miss, as such things generally are, but the percentage of good is notable. Beware, however, as it’s not all fluffy sea sheep, adorable and bunny sweet, many of them accurately capture qualities of nightmare and display them as skillfully as fetishistic vivisection.

March of the Namelss, for example, the second video posted here, is an extraordinary look at the dark fatuity of war. Jean Constantial and Nicolas Laverdure exquisitely blend elegance and the threat of death into something powerfully bewitching. I watched it twice, unwilling to miss even a moment of War in a scarlet suit, thin as a cat’s collarbone, skipping through the calamity.