Toren kicks ass for the lord

LINK

The Darkest of the Hillside Thickets, Vancouver’s only H.P. Lovecraft band, is kicking off DEAD SPACE GOD CENTRAL–their official merch store–with a once-in-a-lifetime opportunity: The Thickets One-Of-A-Kind, Artsy-Fartsy Charity Prize Pack (TTOOAKAFCPP) which contains:

* a copy of our new CD “The Shadow Out of Tim” autographed by the band*
* a custom made, one-of-a-kind Thickets t-shirt**
* a full complement of five buttons, including the Big Robot Dinosaur, SpaceCorp, and The Math Song (Y=X/5) button, plus stickers.
* dozens of back issues of The People of Innsmouth, the official fanclub newsletter.

* (released in Spring 2007)
** (no black or dark shirts; Toren will work with you to design the shirt of your dreams/nightmares!)

All proceeds go to Vancouver’s Heart of the World multi-disciplinary arts facility – trying to raise half a million bucks for a down payment on the theater!www.foxtongue.com

(package may be delivered in conjunction with the release of the CD, depending on your location or shipping choice).

visit the online store at http://stores.ebay.com/Dead-Space-God

swan song

Dear everyone,

&nbsp &nbsp We stand at the beginning of the very last week Heart of the World has to make itself a reality. From here we can only see a brief dazzle of seven days before the fateful Monday that makes or breaks our dream. From here we must stand back and seriously consider how close we stand to our goal.

&nbsp &nbsp And where we stand is quite close.

&nbsp &nbsp If anyone was waiting for just the right time to bring in a Hidden Ace or a Secret Master Plan to win it all, this is exactly it. With one week to go, Heart of the World needs all of us more than ever. We stand near enough to the purchase of the space to smell the sawdust and the fresh paint.

&nbsp &nbsp There’s still plenty that needs to be done. Shares can still be bought by anyone with a couple hundred to spare. Men and women can still set out to spread the gospel of this grand design. Lonely corners of the internet can still be told. Somewhere out there may be the person, place, solution, or idea that gets this place built.

&nbsp &nbsp If you’ve been waiting for later to get involved, later is now.

&nbsp &nbsp Heart of the World is in all probability the first arts center buoyed by the global community. Men and women, artists and audiences, professionals and amateurs from the human multitude have already given their hours, dollars and wishes to this dream. We are all of us carrying the hope and message that human beings care enough about art and each other to come together and create a place like this. For a lot of us, this dream we’re nursing is far, far away in some distant corner of the world we probably haven’t even thought of until this idea came along. Many of us will never see it once it’s built.

&nbsp &nbsp But we will hope and we will dream because none of those details matter. Art matters. Community matters. The Heart of the World matters.

&nbsp &nbsp We have a week. Send us your ideas, your grasps at straws, your clever last minute plans, and yes even your (or your friends’/contacts’/etc.s’) money for a share. This is where it all comes down. This is where the dream becomes real.

&nbsp &nbsp Thank you for your time, your love, and all the hope you’ve given us.

— Jhayne Holmes and the Heart of the World volunteers

http://www.foxtongue.com

pass it on

Tuesday at the Media Club!

An impromptu evening of acoustic music with a multimedia showcase of locally shot concert footage by Joel Flynn from the Vancouver indie media collective “the karmafia”. First acoustic set at 8pm followed by a video presentation in support of featuring concert footage from The National, Joseph Arthur, and The Tragically Hip. A second acoustic set will follow at 10 pm, and a potential open acoustic jam for any interested players.

The evening will be in support of “The Heart of the World Theatre” project, see www.foxtongue.com for more info on HotW. Cost $5 or cash donation at the door.

the clock is ticking PASS IT ON

VANCOUVER NEEDS YOU

To Build it a Theatre

To Give it an Arts Scene

TO SAVE IT FROM ITSELF

We Have One Week Left.

Time is running out! Join the good fight with local hero Jhayne Holmes as she and her band of rebels, miscreants and true believers take on the forces of apathy, real estate and city hall to build this city a future! There’s an old theatre on commercial drive: it can be torn down to make another parking garage, a self-help day retreat for middle managers, or even more housing for the rich. . .

OR IT COULD BE SOMETHING YOU ACTUALLY WANT.

THE HEART OF THE WORLD will be a place where any old artist, actor, film maker, hip kid, kindred spirit, and idea monger can find an outlet (and, more importantly, audience) for the creative endeavour of their choice! There is only one week left to make this idea a reality. Thousands of dollars are being committed and even that may not be enough! Spread the word! Buy shares! Nag your rich friends! Make the city scream for it! The Heart of The World arts centre is a place by the people, of the people and for the people.

AND THE ONLY WAY IT GETS BUILT IS YOU!

(who else is gonna bother? The government? Starbucks? Oprah?)

Join us! The Heart of the World is waiting!

soon there will be pictures, too

Heart of the World in the Globe & Mail. The tone’s a little unfortunate, (like how I’m not sure why the seats were picked on – they’re red and comfy, actually), but I deeply appreciate the exposure. People have been contacting me, as did the CBC.

We have 10 days left to find investors. If you can think of anyone you haven’t told yet, do so now.

who’s got my copy of Quills? either copy.

Nick Petrie is having his annual Club 23 West Birthday bash this Friday, January 5th.

If you know who that is (or think you can fake it) you’re invited.

I’m not sure when it starts, but I’m assuming 9.

edit: for those early bird types, festiviaties begin at 7 pm at The Jupiter Room, upstairs behind the Mac at Bute & Davie. (I’m glad it’s still there. I really used to like that place).

People aren’t going to Club 23 West, (which is at 23 wCordova), until 10:30. Cover is free between 10 – 10:30, though, so some of us are going there earlier.

knots, because Jay is a sweet curmudgen

His skin is lighter than mine where the sun doesn’t touch, though we’re multi-racial enough to get us lynched in certain places, (we know he has problems at the border). I can see in the dark how the outline of my wrist – you know this story. I know this story. I will never get enough of his clever mind, his smile, or his hair, but it slipped from my mouth that the latest death.pool bet says he’ll run off with his employer next. I mistakenly used the word “cheat” before demurring that I know he is only as committed as a cat offered a dish of cream. I know the ending already, the cotton candy clouds blow away in a predictable wind. Last time I bled myself dry and then moved to another part of the country. It didn’t change anything.

Another story – The clock is heaped with minutes that need to be folded and placed into drawers. Fragments of conversation, of laughter like honey in my throat, of shared yearning after mystery. I am made of clay and I can feel in the dark how the shape of my body fits surprisingly into his (as it crumbles into dust). Everywhere are tiny, running wolves disguised as mice. On the blackboard, my name has been erased. I am a self-portrait, stars for eyes, blindfolded. His skin belongs to someone else. The sheets describe pacing, the threads worn where the line was drawn. Thou Shalt, not. The pillow tells quietly of the hollow curve of a braincase. I didn’t belong there any more than I do elsewhere, but at least it felt safe. There was water in a cup on one side of the bed.

I wonder if when I am older, I will place a cup there too, as they do, these men, these ten minute husbands who deprive me of stability. I don’t like their common habits. I want all of their mistakes to be different, they should continue to be separate creatures in as many things as possible.

My New Year hasn’t started yet. I feel, instead, that I was on the set of a film shooting a scene about New Years Eve. How else to explain where I was, who I was with? Surrey? What? I came home today soaked to the cells of my marrow from working many hours in the rain. Work began at five, where I was on gate. Somewhere around midnight, I assumed my way backstage and made myself available. After the count-down and the fireworks, my time was spent hauling about heavy bits of everything. Work was tear down, strike, a rush of blood to the lungs. The skin of my hands has been polished so raw my nerves are misfiring in interesting ways, I might have split my lip and possibly cracked a rib. Sleep was a couple of sheepish hours in a hotel room, too early in the morning to be morning yet. Then we worked again. This time in a gradual and persistent downpour. Tents had to be puzzled down, missing pieces had me to be made to fit into trucks and lamentably weighty slabs of steel needed to be dragged from one end of the complex to the other. Same with sandbags. I cannot explain how much I dislike sandbags, except to say that sometimes being female’s a bit of a bitch.

(It’s always a bit of a toss-up between letting people be nice to me and accepting the easier, indoor “nice” jobs or going out in the crappy weather and attempting to prove myself a little more to a group of strangers who all assume me to be capable anyway. Mostly I took the indoor jobs and didn’t mind when people called me “sweetie”. They can call me “sweetie” as much as they like as long as they follow orders.)

I might sound like I’m complaining, but really I love this stuff. I chose being on crew over any of the parties I was invited to. (Is it just me or was everyone really slap-dash about plans this year?) I appreciate being useful, as well as chances to constructively use basic physics. (What, you think I can heft things twice my weight without the stuff?) The best part is that apparently I’m to be paid for my hours, which is nice, as I would have been out there anyway. Just tattoo geek on my forehead in invisible ink.

it’s a-peel-ing

I’m intrigued. The Geostationary Banana Over Texas project calls itself “an art intervention” and is scheduled to be ready for launch in August of 2008. The 300 meter banana will be constructed of bamboo and paper and be filled with helium. It will float at 30 to 50 km above the state of Texas, which will put it on the line between Earth’s atmosphere and space. From the ground, the banana will be visible and recognizable day and night from all over Texas. On thier “The Team” page, they list the Canadian Council for the Arts as a contributor.

what I get up instead of sleeping properly

Johnny Rotton on Judge Judy.

Sanex has created a beautiful film that transforms over 100 naked strangers into living skin cells for their new brand campaign. A UK exclusive, it just went live this week. The mesmerizing advert, built to sell how Sanex different from other skincare products because it works with your skin’s natural processes to “keep it at its healthy best”, was made in only three days by Director Lucy Blaksted, with a crew of 45, which included four skin airbrush artists.

This style seems to be part of a trend. Vaseline did two shorts this year that also featured astonishingly nice use of naked people – Sea, which has beautifully placed people in enchanting situations I wish I could have been part of, it sparks of a seriously fantastic art director, someone who could maybe make me cry, and Locked, which is lighter in tone and only uses hands.

Dolphin’s leap crushes woman in freak accident.

Stuck is a nice piece of work too. A two minute viral spot promoting a Canadian Becel Margarine contest, it uses the idea of an escalator break-down to play nicely on public assumptions of transportation. The type-casting is a little strong, but I think it works well. Apparently it’s based on a short film created back in 2003 by the writer/director that I’ve been unable to track down. The cute 30 second TV version is available on ihaveanidea.org, (appropriately, as it’s a margarine ad, a contender for “slimmest website”).

Heavy snow falls in Jerusalem; dozens injured due to bad weather.

While we’re on the topic of art tied to the hand of advertising, V&A and Playstation® sponsored something interesting this season, ‘Volume’ – an array of columns that respond to movement set in the centre of the V&A’s John Madejski Garden in London. A luminous interactive sculpture, the columns have been programmed to respond to movement with startling audio-visual displays that ripple complexity. On the surface this sounds hokey, a science-centre trick from the 80’s that’s been done countless times before, but the photos by John Adrian are unexpectedly lovely. The striking placement of the pillars and the obvious depth of the patterns mix so nicely with everyone’s obvious delight that it makes me wish I could hear the project as well as see it. It seems like such a perfect thing to stave off the darkness of winter.

(mcstrick, who put up the Volume pictures I linked to, also posted about Jeongmee Yoon, the artist behind the eerie Pink & Blue Project, a collection of photographs wherein children are almost lost in the vast mono-colour array of their blandly gender-coded belongings.)