Required Reading: Neil Gaiman’s Tribute to Ray Bradbury

Today’s required reading is The Man Who Forgot Ray Bradbury, by Neil Gaiman, an incredible and moving excerpt from an upcoming Bradbury tribute anthology, Shadow Show: All-New Stories in Celebration of Ray Bradbury, which comes out July 10th. You can also hear him read it on Amanda’s SoundCloud account or read his blog posts on the matter here and here, which are also beautiful.

Ray Bradbury died on June 5th at the age of 91 as Venus was transiting the sun, mythic to the end. May his words reverberate through history forever.

Here Neil Gaiman explains the background of his perfect eulogy, originally written as a birthday present to the author (may we all be so lucky to receive such a gift):

I wanted to write about Ray Bradbury. I wanted to write about him in the way that he wrote about Poe in “Usher II” — a way that drove me to Poe.

I was going to read something in an intimate theatre space, very late at night, during the Edinburgh Fringe Festival. My wife, Amanda, and I were hosting a midnight show of songs and readings. I promised myself that I would finish it in time to read it to forty people seated on sofas and on cushions on the floor in a tiny, beautiful room that normally contained the Belt Up Theatre Company’s intimate plays.

Very well, it would be a monologue, if I was going to read it.

The inspiration came from forgetting a friend of mine. He died a decade ago. And I went to look in my head for his name, and it was gone. I knew everything else about him — the periodicals he had written for, his favourite brand of bourbon. I could have recited every conversation he and I had ever had, told you what we talked about. I could remember the names of the books he had written.

But his name was gone. And it scared me. I waited for his name to return, promised myself I wouldn’t Google it, would just wait and remember. But nothing came. It was as if there was a hole in the universe the size of my friend. I would walk home at night trying to think of his name, running through names in alphabetical order. “Al? No. Bob? No. Charles? Chris? Not them . . .”

And I thought, What if it were an author? What if it was everything he’d done? What if everyone else had forgotten him too?

I wrote the story by hand. I finished it five minutes before we had to leave the house to go to the theatre. I was a mass of nerves — I’d never read something to an audience straight out of the pen.

When I read it, I finished it with a recital of the whole alphabet.

Then I typed it out and sent it to Ray for his ninety-first birthday.

I was there at his seventieth birthday, in the Natural History Museum in London.

It was, like everything else about the man and his work, unforgettable.

— Neil Gaiman

zohmigod, like woah

The first interview went extraordinarily well. We talked in the owner’s office for over an hour, chatting about theater, arts culture, the people we have in common, and my job history. The second interview, a more serious thing with the office administrator, went fairly well. It was less casual, more the regular check list of the sort of formalized corporate queries I always find awkward, like “what is your five year plan?”, to which I gave near desperate answers like “to work steadily at something I like until I win the lottery and can move somewhere warm enough to open a sloth preservation foundation.” Despite this, they called the next morning and offered me the job. (While someone else at the office was apparently still on the phone with one of my references.)

So now I have a real job.

*ahem*

NOW I HAVE A REAL JOB.

Just in case you didn’t get that.

As of first thing tomorrow morning, I will be the new office administrator/receptionist-in-training at Stage One Accounting, a firm specializing in entertainment industry clients, which no, is not a euphemism. I am thrilled, intimidated, and incredibly relieved. On one hand, accountants, my justifiable fear of math, working on Saturdays, and joining a tax office in January. On the other, everyone I’ve met there so far has been smart, funny, interesting, and competent, the sort of person I always feel lucky to make friends with, and reliable, solid pay-cheques from a company not running on crazy. Heaven!

Of course, because the universe is a quirky place, to add an extra dash of ridiculous to the whole situation, I have turned down three very promising job interviews since accepting the job just yesterday. Three! THREE! That’s as many as I usually have in a MONTH. I have saved their numbers, though, just in case, as I cannot get over the foolish notion that I will sleep in and blow the whole thing, just out of some sort of residual existential despair left over from two years of unreliable contract work. David has offered to make certain that I’m awake tomorrow at seven, but even so, I am sure that when I go to bed tonight, it will be in dread.

Oh! And I totally got to chat with William Gibson tonight! And though I was initially terrified of speaking, it turns out we like each other! He thinks I’m “funny and smart”! Hooray! Exclamation mark! Annnnd! AND! I fit into my kilt again, just in time for Robbie Burns! EEEEEEEEE! PERSONAL VICTORY DAY! HAVE AT THEE!

IC BEO EGESLIC

Sinister Bedfellows: Anthology is now available!

Short short stories based on the critically acclaimed photobased webcomic by mckenzee, including authors David ‘Starchy’ Grant, Shawn Scarber, Rob Callahan, Annastasia Snyder, Peter Venables, Matthew Messenger, Maaret W., Jhayne Holmes, Chris Peloso, Colleen AF Venable, Larry Holderfield, Phil Khan, Jody Johnson, Eric A. Burns, Samantha Kyle, David Milloway, MontiLee Stormer, Amy Frushour Kelly, Sarah Lynch-Walker, and Matthew Wood.

You can buy a print copy for $19.99 (US) or join the revolution by downloading the eBook for $5.26.