some things are too exquisite for the lens of my camera

Ravers blinded by lasers.

Last night’s dancing aches all the way into the marrow of my bones. It’s surgical, how my muscles are taut, leaning on my sinew, tight, as if I were a supplicant who crawled to her pilgrimage, high voltage, a stanza of sore and continuous dull pain. I move slowly today, proposing to each group of movements in turn. Please, my left, my right, my feet, my hips and belly and back, only five more steps until we get to sit, rather than stand, rest rather than walk. They are deaf, restricted, injected with distrust for higher brain functions. It’s you who got us into this mess! they cry, as heavy as a wounded heart. You and your dancing, your twisting wrists, your skirt flaring more lightweight than rain! They are sassy, unhappy, a smashed set of porcelain. Save me if I ever have to run.

The festival was beautiful. At the last, I stood in the pit between the fenced off crowd and the stage, eyes stinging as a thousand people held hands and sang. Security shooed me to the very front, smiling at my camera, at my shining, perfect moment. I wished with all my heart for someone to hold there with me, to pin me to that place and time, and keep me there, a flower blooming precisely, forever in shared memory.

Best seat in the house, barring the stage, that. Best seat anywhere.

I’m looking forward to my pictures.

mike is still stranded in new mexico, so no that 1 guy

After all day at the folk fest, I’m wiped out. Too tired for a reasonable, decent, glad report. If you missed it, I’m sorry you did. It’s magical, our festival, it’s right by the ocean, cradled by mountains and lakes and forest and city, all at once. It’s the only event in Vancouver where I regularly look around me and think, “this city is beautiful”. I’m going back again today, to sit and listen to music and dance as much as possible. I don’t expect to be home until tomorrow.

I was part of the lantern procession last night, I carried a heart made all of fire, and dipped it over children and held it over the heads of smiling couples. I think I changed a little girl’s life last night, she looked as if I had shown her the moon.

just one of those things

365 days one hundred & seventy: between the lines
365 days one hundred & seventy: between the lines

David is going brown in the sun, his pale becoming tan, becoming sepia, a colour stolen from the ink of squid, then fractured, chemically converting silver into sulphide, toning into something more resistant to breakdown over time. Our bodies contrast, as if we’re different genres of the same animal. I wonder what he’ll look like the other end of this coming up Folk Fest weekend, where people take off their shirts and get happily dusty walking the Jericho paths. I wonder, too, how he’ll get on with Mike, how interesting and odd all the interactions will be. There is an anticipation building inside me, bubbling like water over stone.

things to do in vancouver

Wednesday:

10 pm. The Mix-Up, Terence’s DJ night at Maxine’s Hideaway, the ex-whore-house at Davie and Bidwell.

Thursday:

9 pm I’m Afraid of Comedians, Dylan Rhymer’s comedy night at Slickity Jim’s Chat & Chew, and yes the kitchen will be open.

Friday:

7 pm. What Is It? Crispin Glover live at Pacific Cinematheque, presenting his short film and a slide show.

8 pm. Aimee Mann kicks off the Vancouver International Folk Fest.

Saturday:

10 am – midnight. Vancouver International Folk Fest, featuring That Mike at Stage Five, with Kobo Town and Dubblestandart, Eliza Gilkyson, and Béla Fleck.

11 am. Cloudscape comics, Jeff Ellis’ comic-collective, has a table at the Vancouver Art Gallery as part of KRAZY! The Delirious World Of Anime + Comics + Video Games + Art exhibition.

1 pm. Backyard Summer Music Festival, a free all day party at Jessica Mason-Paull’s Foxy House, 1535 East 4th. Bands: Mama Pulpa, La Comuna, Headwater, The Get Down, Shay Faded and The Heard, and our friends Jess Hill and Chelsea Johnson.

Sunday:

10 am – 2 am. Vancouver International Folk Fest, featuring That Mike, Jayme Stone and Mansa Sissoko, Jorane, and Michael Franti.

9 pm. Bury the Hatchet, a cancer benefit at the Jupiter Lounge for my friend Richard Lett, a stand-up comic, to pay for his chemotherapy. Performing: Kyle Jones, Alicia Tobin, Kevin Foxx (Comedy now and Host of The Kevin Foxx Show on CFRB), Erica Sigurdson (Comedy Now, Halifax Comedy Fest, Comedy Now), Dylan Rhymer (Comedy Now), and Lachlan Patterson (Comedy Central Live at Gotham, CTV Comedy Now, Just for Laughs, Halifax Comedy Fest, Video on Trial)

artpost: just the right size

Audrey Kawasaki has announced her next print sale!

If Only You Were Here
signed and numbered edition of 150

size: 22″x22″ on a 24x”24″sheet – with frame: 28.5″x28.5″x2″
price of unframed: $220 – framed: $450

It will be made available for purchase on July 19th Saturday at 1:00 pm pacific time.


If I had two-hundred dollars to spend on art, this is where it would go. I’ve been following Audrey‘s work for years, (her delicate work regularly graces my otherwise cluttered computer desktop), but this is the first print offered that really captures me. There’s just something about the composition, the lines, the flowering lights, that tugs at my eyes and won’t let go.

I’m feeling unaccountably unattractive

“Free Speech is the right to yell ‘Theater!’ in a crowded fire.”
&nbsp &nbsp &nbsp &nbsp -Abbie Hoffman

Barely averted disasters, not quite problems, almost, practically, nearly, verging, uncomfortably close. Yesterday I was right next to the mild downtown explosion, but managed to just miss nasty smoke inhalation; the resulting massive power failure kindly skipped the corner with my building, leaving us with power but no internet, so basically a blank day paid; the heavy wing-backed chair that dropped on David at work didn’t break his arm, (he’s hurt badly enough that he gets a paid day off work, but not so badly that he isn’t glad about it); and we lucked out and managed to rescue Ray’s vehicle, which was accidentally locked into a closed parking lot while we sat in the ER waiting room for three hours.

There seemed to be a downward spiral.

But then there was ice-cream and a Vincent Price film, The Last Man On Earth, (which is what I am Legend should have been), I got a message that my camera should be fixed by the weekend, and we gave Ray a DVD box-set of Bela Lugosi films and a cute stuffed bunny with floppy long ears, so yesterday was alright after all.

A white pebble day, by any account.


starving for change

The Urban Homestead: Your Guide to Self-sufficient Living in the Heart of the City.

Persistence. It’s important to try. The boxes have been melting away, leaving the clear bones of a more functional home behind, newly blue and shiny red, that will be nice to live in, once we’ve finished sculpting muscle from the remaining meaty mess. I still need to buy brackets for the glass shelves, chemicals to take the tacky glue off the big hall mirror, wall-paper glue and a smoothing brush, put up the shelves and the last mirror, drawer my clean clothes, arrange the hall closet, shelve the still-to-be-mailed packages, rinse the last two batches of the dusty dishes, sort the last pots and pans into under the sink, catalogue what’s being given away and post the list on-line, launder the dish towels, fold them away, organize the bathroom, disinfect the counters and sink, bathe the cats, inventory what’s left, (as I’m sure to miss something), schedule an optometrist appointment, sweep the hall, vacuum, all of which will likely take me until Friday, if I don’t get any help, then take a week off. Finally.

That Mike‘s going to be in town not this weekend, but next weekend, playing the Folk Fest as a featured artist, which will take a bit of the stress away. He might even be coming along to see Crispin Glover with us, (us being, so far, me, Duncan, David, and possibly Lung), which I expect will be oodles of fun. It won’t be until after he’s left that I’m going to tackle the wall-paper that’s going up in the living-room, a vogue knock-off pattern of black and gray flowers on white. I need some time where I’m not concentrating on cleaning, on tidying, on sorting and shelving and assimilation.

Hanging the wall-paper will be an entire day’s work, even if I move all the furniture and wash the wall the night before. I’m not looking forward to it just yet, though I know after a break I will again. The Folk Fest will be a perfect distraction. Already I’ve started figuring an itinerary, planning on who to see and when. Start Saturday with Mike at Stage Five, with Kobo Town and Dubblestandart, move on to Eliza Gilkyson at Stage Three, snack on a delicious picnic, spend some time at the super sekrit backstage hammock, wander, dance, find Mike’s next show, and end the night with the glorious Béla Fleck. Sunday, more of the same, except with Jayme Stone and Mansa Sissoko, Jorane, and my once acquaintance, (friend of Shane and Mike), Michael Franti, who let me stay on his couch once, back in the nineties.

artpost: art, patience, timing


No.60 | N 70°26’36.5“ E 27°53’27.1“,Tanafjorden, Finnmark, Norway, 2007

No.61 | N 61°39’51.9“ E 6°51’27.8“, Briksdalbreen, Norway, 2007

LIGHTMARK: incredible long-exposure light painting by Cenci Goepel and Jens Warnecke

They’ve also taken photos Tierra del Fuego, Suomi, Germany, California, Spain, and France, which are available in their absolutely stunning gallery.