Tag: the morning star

something new to learn on piano [bravery takes many shapes]


the bird and the bee – polite dance song, directed by Eric Wareheim of Tim & Eric.

[…] Since I’m asking so nice
Would you just entertain
There’s nothing left to hide you away
Just show a little bit of brain

Yes that is what I mean
That’s the nail that I hit
I try to be as coy as I can
But I wanna see your naughty bit […]

-::-

We fall asleep facing our laptops; two beds, eight hours away. I have practice at this, at living far away, at being untouchable, unreachable, lonely yet loved.

The first person I had such a thing with lives here in England. He’s the reason I have the eight hour time difference from Vancouver to London permanently memorized. Our correspondence set the foundation for this place. Years of it, years of talking late at night, of mornings together, of chats and distance. There are hundreds of letters from him in my folders. Hundreds of pictures. He kept me writing, coaxed me into taking pictures. In many ways, he changed me from writing to being a writer, kicked it off, back when this journal was almost new. Back when I believed people who said nice things to me.

I was only a few years older when he hurt me, sliced his way through my center, sliced until I bled, and worse, then put me in a book full of sex that opened yet another crooked little vein. (This starts the part that’s never been public). Perhaps it was meant as a surprise? A surprise like the awful things I found out about him, how he used people; a surprise that sent everything sour.

With the open eyes of an adult, I can see that I was prey, but it took many emotional years, and many, many others to come forward with similar admissions. Women in pain have reached out to me from New York, London, San Francisco, Berlin, Toronto… We’re in so many places! There’s so many of us we might need a name. I collect them, now, his talented discarded. We are a small network, but we’ve started keeping track of the others and making friends. He has excellent taste.

I never asked him why I had a starring role in his first book, our relationship was already critically wounded and we had almost bled out by the time it was published. Was I the first? It seems too unlikely to be true, even though it’s what he said at the time. I’ve also never asked the other woman named in the novel if she had been consulted or what her place in the mess might be. Her name was easier to spot, the public attention must have been massive. (A mutual friend told me that she wasn’t, so I’ve filed her under “One Of Us (potential)” and crossed my fingers that she’s been okay.)

But I have been considering it lately. Now that I’m living just outside London, I’m only an hour’s drive away from his house. Two if I take transit, not even as long as a film. (Closure is such a pretty word. Sound it out! It’s beautiful.) Maybe I should reach out to her, the way the others have reached out to me. Break the silence, try not to fumble, and then, perhaps, ask him for tea.

It has been a long time, but I’ll bet his phone number is the same.

like hearts swelling

Betty Hutton, once the favourite doll of Hollywood.

Transparent as sound, we are pieces of the human engine out of old mythology, pet children decanted from bottles of blood. After the boy is blown from this city, I will stand alone by the side of the road, and even if he does not look back before walking through the gate, my legs will continue to hold me up, I will continue to breathe.

That was always the worst lesson, that I will remain alive in my chemicals, wrapped in nerve endings, a collective rumbling of infintismals, (creaks, exhalations, needs), no matter how much my offerings to the gates have been smashed. The modern world is very bad at silence – cities do not hold their breath except in the moment before a bomb falls – but there are occasionally words I feel I should almost kneel to speak.

I’d like to say our first kiss was a special thing, a low slung howl of discovery, but it’s never been like that. That road’s been washed out, (if there was ever order there), replaced by brittle grass made straw in the sun, such-a-shame at-so-young-an-age blame-yet-another-hotel-room-romance damn-those-older-men. I almost don’t care anymore. Instead I count first glances, first realizations, that pause between what I know now and what I knew then. What is more important? The date we met or the amperage of comfortable electricity that ran through my fingers the first time I touched the middle of his back with bare skin?

The proud cities I have built with people, some of them are still standing, giant proud machines of words that circle the globe like air currents of what colour my hair, how long this correspondence, I had a show, they had a child, no, yes, you can’t come visit now. We are stories, novels, little threads in vast pleasing shapes. None of my relationships have been film-noir construction kits. We meet in cynical places badly lit, smoke cigarettes we take from small cases. This is just another connection, another spirit made flesh in the network. All we’re missing is the small confession of where we were the morning of September 11th, year 2001.

This morning he was beautiful, a misplaced dream left over from 1985. Sitting on the bed to put on his boots like having Lost Boys on the record player; leather jacket, long hair, I used to clean my saddest house to that soundtrack album. No one wears slimmer dark blue jeans. In my head, “I like my body when it is with your body” and the memory of his eyes flickering from mine to my hands on my stockings like they do under his lids when he’s dreaming, conversation not missing a beat. This is our generation gap, that I can write this here, display my day, my meaning, my worth. I grew up here, on-line. He didn’t.

I can barely believe how much I still want to go back to L.A.

One of these days, I’m going to have to learn to find a home.

paying (back) different people

Leisure Alaska, like a love child of Kashmir and the Polyphonic Spree.

I would like to meet you in a coffee shop somewhere. Accident instead of design. I want that moment of feeling my heart leap in a mix of pleasure and terror when I see you. My stomach stabbed with ice, your face suddenly unreadable. I want us to look like a badly cut piece of film, staggering and awkward and so cold. There might be ashtray weather outside, there might be sun. Either way it doesn’t matter. After painfully polite conversation, we would escape from the public glare of the cafe and find a place to sit and stare out at the world. It would be too cruel to stay where anyone could overhear us.

If you do nothing else this week, click here for music.

Someone else, someone who’s just heard of you.

A restaurant, we’re friends with odd flashes of intimacy that don’t lead anywhere. You walk like a drumbeat and I appreciate how your large hands flutter around your anecdotal stories, pale birds battered by how you frame your history. We’re talking about melodrama, how you declared you would never love again at age twenty-five. I thought that was charming in the way that embarrassing young mistakes can be until I realized that twenty-five is older than me. Then I looked down at my plate.

Later, in your antique apartment full of follow-the-instructions furniture, the music is wildly inappropriate, a random playlist shuffled from a little white box the size of a nineteen thirteen suicide. The urge to write is distracting, but my fingers stumble when they dance across the keys. Instead I get up to watch the miracle of your pencil outlining something that only had a blurry reality inside of my head. I’m caught in a chemical loop, scales of thoughts playing my spine for kicks, ignoring my more rational decisions. It would be unfortunate if it weren’t only two days a month. I think of clockwork, how the victorians made mannequins that played chess. Spinning brass gears and crystal eyes dyed as blue as yours. Hands that held pencils, that could only draw one figure. One figure, perfect, for ever. I think of hands.

how on earth can I sleep with nightmare tectonics


Originally uploaded by Foxtongue.

It’s the people absent from my bed who are changing my name, eroding at my identity like a negative space sketch of rain. I can’t help but recall my conversations, the blankets inspire me, the delicate, familiar movement of taking my glasses off and putting them on the windowsill. I’ve been setting my eyes down on various surfaces every night of my adult life, slowly evolving into someone who doesn’t like to be on top because I can’t see my love’s face from so far away. I remember Marc’s laughter, his climbing strong melody as he cradled my glasses and explained to me very carefully where he was putting them down. Another windowsill. Like mine, to the left, but not the same at all. A queen size bed but we still managed to fall off the sides. I remember Lidd crying, viciously attacking the life given to him, threatening to smash my vision to the street below. Too much alcohol, too little faith. I could see myself in a mirror then without them. Worse now, my astigmatism, my trained lack of sight. I remember lots of things, voices attached to shining blurry faces. Different colours. Lindsay, he had a desk with a computer from 1995. I put my glasses down next to the keyboard, under the red guitar that hung from the brick wall. Lindsay, whose chocolate hands made my skin look like iridescent milk.

A flash to Lung taking a picture down his pants on a dare, how we discussed Oliver’s skin tone as something to photograph nicely against mine. To my silver haired scientist twisting away from my camera, hiding under the blankets, breaking my heart. The beautiful images Alastair would send me long distance, driving my adoration from over a thousand miles away. Kyle was so beautiful I could have cried.

Repetition with improv over the top. Notes of fire, of searing words. Burning too hot, too fast, too aware of the desperation inherent in oxygen, a poison gas when taken straight. I didn’t like the wall sized mirrors in that fugitive hotel, how they turned my blurred body into a pale shifting ghost, messy hair and all. Not to say I don’t find hotels mirrors friendly. The man who is named the evening star, he grasped the delicacy of my blindness right away. Gently murmuring about his father’s death to the glow of craving a cigarette, he ran his hands along my arms, guiding me to where I needed to be. I took a picture in that mirror, wearing his shirt, my hand upraised, a final thank you and eventually, later, a good-bye. He undid the buttons and every doubt I had about my body fell off me in shards, never to return again.

These are the things that stick, a hundred final scenes. Kissing a man in a restaurant, only a few blocks from my apartment. Touching his tattoo and wondering briefly, the closest I’d flirted with infidelity, if anyone would see us. All a long time ago now, these memories held like dried flowers, delicate perfumed things, willing to break details if handled roughly. Photographs seen from the wrong end of a telescope, out of proportion, fading when the phone-calls do.

—

The Moon Festival starts tonight at 7:00. Renfrew Ravine Park, at 22nd and Renfrew.

Easy to get to by transit: Take the skytrain to 29th Ave. Station, then take the Arbutus bus five minutes to 22nd.

My fire show tonight starts at 7:30. There will be fireworks, an underage contortionist, a band made of eight trombones, a percussionist, and an erhu, and half my crew are delinquents, including one multiply convicted arsonist.

If any of the fire people on my list would like to come perform, I can toss you into our finale if you check in with me early enough.


based on a brick of a pillow and a plank of what it used to be like to be me

She looked all curves and shiny eyes. Posed as woman as a simple cure-all, her body a pill, the waiting chemistry of the word Yes. One word untying every victim of life from the railway tracks. New blood, brooding on the futility of sexual capacity. Those bastards draped in honey-suckle, in ample feeling. Hands with too much strength trapped inside. Drunk on missing lovers, driving to the homes of people they all used to know together, they never had each other biblically, except in her city-block verses and tired dreaming. So she hotly looked at him and thought, I could leave right now. I could walk out that door saying, hey, just don’t call me for awhile, okay?

Shuddering into a more sober awareness, the touch of grass beneath her reminds her of fiction. Stains of umbilical fantasy grabbing at her memories, images of kissing, of improbable situations where she gets to be impressive. Doctors saying, we don’t know how long until she’s leaving, but out of everyone, she’s asking for you. The scream of anniversary panic, not in this life, she thought of carrying him through passageways, his body light as music, until she comes to a door with a red exit light and puts him down as if that was the plan all along. Running from wolves, pulling him from fires. Solid threats she could rescue him from. Gratitude dripping from his smiles, another day blocking the doorway with her body.

She can put an edge on any word, turning it on the lathe of her tongue to remind him of all the things that he hasn’t given her, treating him like a sarcastic stranger. The verdict, hell to pay. Incredibly, they kept going. Independence a death in the family. It was like the stop-gap job she took in college, steady, with no real reason to leave. It had never been meant to last so long, but it paid the bills, and she kept hoarding his voice in her fantasies. She began to smile as if goodbye was one last joke between them, and she saw instantly how easily he could defeat her. All he would have to do is laugh. Laugh and turn to her and all her certainty would vanish, replaced by his universe. How can you leave someone who implies that black velvet threats are the smallest plant in an undistinguished windowsill garden?

This was all part of his plan, a map of telling secrets in her dancing. He knew how to pull her hair, how to find her fingertip sounds. Her limited view gave her this, like dust that persists, in spite of the fact that he’d never touched her. It was a game as sharp as the rays of daylight that sent her to sleep on winter mornings. Tall, she thinks, staring fixedly at the ceiling as if there were nothing blocking her gaze from the mirror of the sky. Did I used to like them tall? She thinks she’s stupid and immature, only able to think in boy with girl relationships, unable to conceive of a place where she understands only friends. Fifty ways to leave your lover – by keeping her adoration a secret, by winking uncertainly at a taxi-driver and paying him all the money she could find, by suddenly playing aloof like she was on t.v. Running out of fingers, counting issues instead, so much baggage it’s a matched set.

trying to remember the worth of birth control when all I can think of are his unfair hands

Someone has rewritten the words to Gibert and Sullivan’s “I am the Very Model of a Modern Major General” as “I am the very model of a Singularitarian,” with lyrics celebrating the drive to transcend the flesh.

I am the very model of a Singularitarian
I’m combination Transhuman, Immortalist, Extropian,
Aggressively I’m changing all my body’s biochemistry
Because my body’s heritage is obsolete genetically,
Replacing all the cells each month it’s here just temporarily
The pattern of my brain and body’s where there’s continuity,
I’ll try to improve these patterns with optimal biology,
(“But how will I do that? I need to be smarter. Ah, yes…”)
I’ll expand my mental faculties by merging with technology,
Expand his mental faculties by merging with technology,
Expand his mental faculties by merging with technology
Expand his mental faculties by merging with technology.

There’s an MP3 link too.

Today was spent re-arranging the shop I work in, hauling large heavy awkward pieces of pale laminated wood around into hopefully better positions. We need a curtain now. A curtain, a ladder, some screws, and some paint. It’s nice to have carte blanche. I’ve been told that I’m to treat the store as my own, all my decisions will be supported. It’s interesting, like an experiment in culpability. How responsible am I? How capable?

“I’ve listened to your music, seen the way you dress. I trust you.”

I’ve had relationships based on less.

Remember the water? It sprayed like insane rain, kamikaze airborne water trying to reclaim the shore from the sky and bring it back into the ocean. I was so glad you ran through it after me, it felt like a victory. Breakfast, then sitting on damp moss, so British Columbia, so everything about this place that’s sometimes nice. Secrets, so many secrets. I miss you. You’re around and then not, all at once. I remember kissing you, lying with my body pressed against yours on a volcanic outcropping of rock, all soft cliffs and too much ocean view. All those trees. I saw you watching me trip down the path like a child, I watched you smile. How much that meant to me, I’m not sure I can say. It had been so long since I’d felt like anyone wanted me, like I could make someone happy. Therapy for both of us, I suppose. A furtive thing we could call our own. An epoch passed as we climbed the earth.

Evenings like this I wish you were here, free to sleep in my bed, be warm for me in the chill.

My lovers last year, all of them left silver hair on my clothes. Spiderwebs that tied joy down, transmuting me into an alchemist of golden moments, but my last year was longer ago than that. I think of new years in terms of fall. Leaves and seasons changing, halting, freezing. Anything after Hallowe’en is this year, anything before is last. It might be in November this year, my annual transfer from them into now. We met in August, we began in August. The year before last, something new, a man, a burning furnace hanging in the ether, changing my perception of time. Everything counted from the day I took a worried picture that my friend has hung on his wall in Montreal.

This year it might be somewhere in November where it shifts. Before there was my first love returned to me, too poetically pleasing to last or be real. My theater painter, my silly Gavool fool. “Have you met my underage girlfriend?” A genius clown that handed me so gracefully to California (Uber Alles). Flash: tied with ribbons, merry christmas, the light from the window before we moved the bed, a thin string glittering from one thing to another, my decision. LAX = empty regret. Last winter spent in Orange County, adrift in rain and lost without direction. My lovers, before they didn’t trust me, they didn’t tell me until it’s too late.

Next year. New Year, December. My hanged moon, strung up on charming wire, so full before it waned so suddenly. He fell from the sky and destroyed all the tides. I fell down and drowned and my morning star, my most precious thing, my evening dream who surrounded me with words, abandoned me after burning me with a small handful of flame. Hours counted like suicidal moths. Hating how easy I must be. Fifteen people dying in six months. All the ways to count a year. Two jobs gone, three, a night of fire where I finally died. There was no vessel to carry me. When the apple fell, there was no one to capture it, no hand to interrupt its crash to the ground. Everything all at once, so dreadful.

I’m older now, I can feel it for the first time in my life. I see lines inside my face, miniature scars, a map of where I used to live. Pictures from last year, they look too happy to be me, too young and yet, here I am, feeling alright with life again. It took me eight months. It took me a year, a failed one night stand, and a married conductor. It took music and getting away from here, a refreshing life out of the small town. It took the sky and blood and tears and feeling too alone. It was Ryan, it was walking into the water on the night of fireworks and resisting the urge to let my head go under. It was so many things, saving a life on New years, never seeing that girl again. Slapping Matthew, dancing alone, dancing with Kyle. It was myself, finally, and the memories of starry skies that brought me back to me.

Though mostly it was the conductor.
&nbsp &nbsp &nbsp &nbsp the good ones are just like that
“No, my lord, unless I might have another for working-days: your grace is too costly to wear every day.
But, I beseech your grace, pardon me: I was born to speak all mirth and no matter.”

Ashes and Snow will be on view in Santa Monica, from Jan 14 to May 14, 2006. I want to go.

[pj harvey – water]
Now the water to my ankles
Now the water to my knees
Think of him all waxy wings
Melted down into the sea
Mary, Mary what your man said
Washing it all over my head
Mary, Mary hold on tightly
Over water
Under the sea

Ashes and Snow
&nbsp &nbsp &nbsp &nbsp Gregory Colbert has updated his website. &nbsp &nbsp &nbsp &nbsp Remember to breathe.

I’m so sorry there are not more angels. That there are not more years for grace.

I’m sorry I don’t have words for what I feel I want to say.

This is a universal thing, I know, but it brings us down every time.

May you have time to give everything you still have to say to the family you’ve made.

You have my deepest sympathies for your sorrow.

This isn’t enough, but I don’t know how to play the song that needs singing.