artpost: Monochromatic (the precious unconscious). Did each get a name when finally born?

Excerpted photos from 1931-1955, Doll Factories

via Mashable, via Retronaut.


Jan. 28, 1949. A worker trims the eyelashes on a pair of doll’s eyes.


Dec. 15, 1951. Freshly cast doll legs dry at a factory in England.


c. 1950


1947. Freshly cast doll heads wait to dry.

artpost: flight, the way they move together


Ascension, by Jacob Sutton, featuring ballet dancers Hannah O’Neill and Germain Louvet

This September marks the launch of the Paris National Opera’s Third Stage. While the Palais Garnier and the Opéra Bastille are, of course, world renowned sites of cultural and architectural interest, this particular ‘scène’ is not a stage in the physical sense, but exists in the rather less tangible online realm.

Launching from the Opera’s website, which has recently been treated to a slick overhaul, the digital platform will feature a mix of mediums including the work of film makers, choreographers, visual artists, directors and writers. Third Stage will also allow ballet and opera aficionados from all over the world to delve into an exceptional set of archives, created in partnership with the INA (French National Audiovisual Institute).

One of the original films currently being featured on the site, and exclusively on Telegraph Luxury, is Jacob Sutton’s Ascension, which showcases the spectacular architecture of the Opera Bastille and the Palais Garnier, as well as the breath-taking skills of ballet dancers Hannah O’Neill and Germain Louvet. A contrast of behind-the-scenes and front of house, the film flits back and forth between shots of the dancers below stage at the Opera Bastille, dressed in black to match their sombre, industrial surroundings, and in the glittering golden foyer clothed in softer pastel shades and bathed in light.”

artpost: a moment of singularity

LIGHT is TIME

The installation is comprised of 80,000 main plates, (the main movement plate that forms the foundation of all watches), suspended in the air like a frozen rain of intricately crafted gold coins. It makes me think of cinematic bullet-time but also of mythical places, as if this room were found during one of Sinbad’s adventures.

Found via FeelDesain.

“You don’t remember that part in the Bible where saints and devils do battle using neon lasers?”



Dan Hernandez, Seige of Intelari Stronghold, 2013, mixed media on panel.

Via ArtNews.com: “Dan Hernandez’s gilded faux-frescoes at Kim Foster Gallery might help jog your memory. In them, genres from the recent and distant past collide with surprising ease—the mixed-media works recall Renaissance and Byzantine art and vintage video games in equal parts.”

TODAY’S REQUIRED WATCHING: the shock when their lips meet

FIRST KISS from Tatia Pilieva.

Filmmaker Tatia Pilieva asked twenty people to kiss for the first time. It sounds simple, but the effect is incredible. I am overwhelmed by how sweet it seems.

The cast includes models Natalia Bonifacci, Ingrid Schram, and Langley Fox; musicians Z Berg of The Like, Damian Kulash of OK Go, Justin Kennedy of Army Navy, singer Nicole Simone, and singer-actress Soko (of the indie music that accompanies the short); and actors Karim Saleh, Matthew Carey, Jill Larson, Corby Griesenbeck, Elisabetta Tedla, Luke Cook, and Marianna Palka.

Music: SOKO – We Might Be Dead By Tomorrow

artpost: I have stood in both these places

The Ann Street Studio, Seeing New York:

“As a photographer I show you the world through my lens on a daily basis. We all look at New York, she demands our focused attention. I’ve been thinking about the art of looking. The importance of focusing and what we see. This past March I bought a pair of Giorgio Armani frames in Geneva, classic per usual, and I decided to put them in front of the frame. To see what I see.

To show you a day in New York through my lens…”

For more cinegraphs, visit their website Ann Street Studio.

artpost: the green cathedral

The nave of York Minster has been sown with 1,500 square meters of grass lawn.

“The purpose for the so-called “living carpet” is the York Minster Rose Dinner, to be held Friday night on the royally frivolous occasion of the Queen’s Diamond Jubilee. Over 900 guests are expected to wine and dine on the lawn, which, does, in fact, require maintenance (see the lawnmower). The “carpet” was grown in recycled felt then installed in successive layers”