I took this photo the show before he was discovered

Shane Koyczan‘s back in town for a few days. He left a message on my answering machine while I was sitting across from him at the Brickhouse earlier tonight/this morning to tell me “how awesome it is to hang out with you.” It’s a warmth, his presence attached to me like a persistent cradle of comfort. For years now, I am his Atlantis, he my Poet, we the Royalty reigning over poor timing. Personal mythology, bound books and declarations from famous stages. He’s playing London at the end of November, then the Orpheum.

It’s good to see him.

Apparently he’s here for the Writer’s festival, so you people who do not have work during the days, you should go see him.

The only evening show he has is on Thursday and I’m uncertain how invited I can be to that. See, he and his girlfriend had The Talk. You know, the One where my Name’s been Mentioned. I’m pretty damned likely to go anyway, to be honest, before I go over to Luciano’s to stay up sewing, just because that’s the sort of person I am, but no matter my itinerary, if you live in Vancouver, take this golden chance to see him perform. He jokes about being the Shane Koyczan, it’s true, but there’s a reason he was on a panel with Solomon Rushdie and Margaret Atwood.

He’s excellent, better, and best.

work, dressew, dance center, call the man, groceries, sleep/die, tomorrow

My clothes all smell like clever musician. I’m almost too tired to be writing.

Albino Moose in Norway is under threat.


Lillian Bassman
Originally uploaded by Foxtongue.

Running late today, trying to figure out what I’m doing this week. I suppose today I’ll try to buy fabric for my All Hallow’s costume, as Wednesday I’m going over to Jenn’s to try and make it. Can’t forget Thursday dance class. There’s a chance I might be pulled out of town for a few days instead, but I don’t know when. The phonecall hasn’t come in yet. There’s a chance I might work tonight or tomorrow night at the Dance Center, but I have to hear back from Jay. Everything’s on hiatus until I hear from other people. Damned are we whose pleasures depend on other people, because the chocolate cake breakfast was probably a mistake. Grocery shopping, need to get around to that, find time. Make time. Create, from thinnest air, the illusion of minutes to give to the store.

A coroner has recorded a verdict of unlawful killing on ITN reporter Terry Lloyd, who was shot dead by US forces in southern Iraq in March 2003.

Barely a sky today, except for the fig tree outside the window. Barely an straight thought in my head. We’re waking up slowly, drifting up out of the covers like bubbles through water. The shrill alarm is terrible. I need to get home, check messages, take my daily little pink pill. Walk past Oliver’s house and refuse to look. I need to get home, change clothes, pick up music, write down instructions, measurements, phone numbers. The last time I checked the clock was when I took my glasses off. Five in the morning. I’m not going to have a chance to call that dancing man from the Portuguese Club. Too busy, too bad. Bloody Monday, nothing graceful about these except our crawl from the house. I think this could become a weekly thing, though, something I could prepare for with more than the perpetual toothbrush in my bag. I haven’t forgotten the tricks of urban traveling.

“Under the Cherry Tree,” a new music cut-out-CG video conceived and directed by Dael Oates, (Animal Logic), for Telemetry Orchestra.

I need to remember to eat something

I love bio-feedback. Today, in spite of having a thousand chores ahead of me, (FTX West 2006, Michael‘s birthday, SinCity), and feeling like I’ve been wasting my day, (laundry’s only half done and it’s nearing the end of the afternoone), the pervasive feeling that I’ve been emotionally living under an underpass has been adequately banished by the laughter from last night. Intermediate social cohesion is a really good trick. I have a heavy chemical reaction to charming people, the more clever my company, the more comfortable I feel, as if I can only relax when I’m with people I can trust to simply take care of things, so last night was perfect. No stress. Most of this week, actually, has been useful that way. I’ve been spending time with older friends and it shows, I think, in my reclaimed stability.

Parade of Lost Souls call-out (apparently they have canceled my damned fireworks)

A letter from Public Dreams follows:

Greetings Good People,

My beautiful mission for the Parade of Lost Souls is to create a field full of altars and shrines dedicated to the memory of people and ideas we hold dear. I’d like you to consider doing this with me.

Please find attached a little info about what we are doing and the dates and times for our upcoming workshops at 1000 Parker Street. Workshops start this Saturday the 14th. The workshop studio is roughly in the Clark and Venables area but the following link will show you exactly where to find the studio.

It would be great to have an indication of how many of you might be joining us for the workshops so please do drop me a line and let me know when we can expect you. Merci.

Feel free to call me or write if you have any questions. It would also be appreciated if you’d pass along the invitation to people or organisations you thought would be interested.

Wishing you well.

Vanessa Richards
Creative Community Liaison
Public Dreams Society

Workshops take place on:

  • Saturday, October 14 from 1 p.m. to 4 p.m.
  • Thursday, October 19 from 6 p.m. to 9 p.m.
  • Saturday, October 21 from 1 p.m. to 4 p.m.
  • Thursday, October 26 from 6 p.m. to 9 p.m.

The door is open from 7:30 a.m. to 4 p.m. To gain access after 4 p.m., press the buzzer or call 778-838-7678.

it must be three in the morning there

“The problem with defending the purity of the English language is that English is about as pure as a cribhouse whore. We don’t just borrow words; on occasion, English has pursued other languages down alleyways to beat them unconscious and rifle their pockets for new vocabulary.” – James Nicoll

When the Anti-Choice choose abortion.

Your cathedral eyes, I can see them through the telephone, carried by the documentary grain of your shaky hand-held voice. The subtle circus is in flames, tonight, with me here curled up like a teenage child and you on the other end, my mirror. It’s ridiculous, our travel backward in time, as if I should be wearing a poodle skirt, something light, pink. Black shiny shoes and pastel socks. My knees bent, my arms wrapped around them, I am an unembellished postcard, a childhood that not even you remember.

We are talking quietly, as if not to wake our parents, the non-existent neighbors, the hush of sleep come crawling, come knocking at your chamber door. It’s a lot of information, the image of your black hair wrapped in your little stories, the memory of saying goodbye like gritty sand, all of it leaking long distance. Our words have the antique innocence of empty bottles stamped from a factory and abandoned in a cheerful whore’s attic, they wear garters for the hell of it and lay hands on to heal. Good night, we say, and we mean it. I can’t sleep. My bed is cluttered with books in among the covers, paper reminders of then versus when versus me and now. We make your apartment an area of darkness, blank, fishbowl wish you were here, welcoming and new. We make you a thick furred cat, rubbing against my legs and glittering verbal sparks. Briefly I wish I had a cigarette but can’t place why.

For those interested, there are only two Ceilis in Vancouver this season.

Actually, that was a few nights ago. This evening I celebrated Friday the 13th by going on a Girls-Night-Out, (possibly only the second time in my life I’ve been on one), with women from the Moon Festival. We went to Avanti’s, the strange little pub up on Gravely and Commercial that feels like it’s been transplanted from some tiny redneck Oh Canada town, then to the Portuguese Club. A very drunk old man tried to attach himself to Beth there, (I’m sorry I didn’t get any pictures. She was amazingly dressed as a dutch milk maid, complete with red checked table-cloth bloomers and a fake flower crown), and I was asked to dance by a handsome man who sent a friend over with his phone number on a scrap of newspaper. (When we left, he blew me a kiss.) It was very traditional, somehow, all of it. Even our stumble up to the Havana for chocolate pudding. We told riotous stories about drunken evenings on nudist pot-haven islands, people attempting to snort lick-em-ade, misdemeanor moments on public transit, and having to slide down pyramids in Cancun.

the fountain was beautiful

Toren, this is for you.

A shadow bringing the young girl’s heart to the wicked queen, killing the wolf that ate grandmother on his way, those huntsmen have another thing coming. It’s a lovely idea, having live mass-produced Disney princesses. There should be more flashlights shining blindly on Das Maus. I especially appreciate how it’s an open invitation to the local women, “hey, come out, show us your differences by emphasizing your similarities.” There’s something crudely emphatic about it that I respond to, that picks at me. I know that if I were within distance, I’d be in there twice a week without fail, donning the plastic wig and splaying on chairs.

Upon the heels of the pronouncement that the Pope is abolishing Limbo, game designer Arnt Jensen has unveiled a charming trailer for a creation of the same name.

did anyone get pictures?

Oliver made our relationship over into a self-fulfilling prophecy. (The only person to dare claim I would ‘understand when I was older,’ he would constantly harp on my age, instead of realizing that his sheltered, unscarred perception was the emotional problem). I realized I had his number when my friend Stephen, Michael‘s father, asked after him last night. One of those well-whatever-happened-anyway questions. Tears sprang stinging to my eyes and I quietly said, “I didn’t expect him to be so faint of heart.” The instant I made my reply, the curtain sighed as it fell to the stage. I grasped the explosive charge and extinguished it with my bare hands. Stephen looked up from the ice-cream he was inspecting in time to look at me, understand, and say, “I don’t know you incredibly well, all things considered, but I do know that you’re most certainly not for the faint of heart.” The release, a statement of the obvious, as I rose out of my post-glory depression from Saturday night. (It’s terrible, how after I felt like falling down and crying. I wanted a kiss so bloody badly, some way to celebrate, some incredible smile to drown myself in, to let go of the show by unwinding out of my body around someone else. I’ve never had that, you know. No one has ever stayed long enough for me to share a victory. Not once.)

The fire and fireworks went so bloody well that I was almost amazed. It was a potential disaster of the worst sort. We almost didn’t have a finale. Those rather essential things we needed to make a show? Gone. All our fire torches, staves, etcetera, got themselves misplaced between Thursday night after dress rehearsal and when I arrived Saturday afternoon at 2 o’clock.

No one could tell me a thing. I arranged search parties for hours, grasping for any clues, any ideas as to where our kit went. After I vowed vengeance several times, and condemned our ridiculously poor security to be the first against the wall when the revolution comes, we managed to borrow some odds and ends off Elliot Neck at the very last minute. Less than twenty minutes before curtain, gear finally arrived. By the time gear arrived, we’d used all our fuel filling Tiki torches. Which meant that we ended up lighting with Citronella. Yes, Citronella. That’s what the gas station had. As if to add insult to injury, the delinquent half of my crew didn’t arrive until five minutes before call. Except the arsonist, who’d been there since five in the afternoon. It was like I pulled the entire show from the air.

It was amazing.

However, so was my show.

I won.

I get to sleep in tomorrow (the beast of a thousand young)

Monday, (which, I suppose, strictly speaking. is today, though it feels more like a continuation of Friday for all I’ve been sleeping), there’s going to be two trips to the Van-International Film Fest.

Renaissance at 4 o’clock and The King And The Clown at 9:30pm, both at Granville 7.

The King and the Clown marks our last Korean Movie Monday. After this we’ll be picking up with a multi-genre media night at Andrew’s instead, (which I’m far more likely to regularly attend), also every Monday, as far as I know. I’ll pass on the news as I receive it.

Two Discworld stories by Terry Pratchett, freely available online: “Death and What Comes Next” and “Theater Of Cruelty.” via rollick.

how on earth can I sleep with nightmare tectonics


Originally uploaded by Foxtongue.

It’s the people absent from my bed who are changing my name, eroding at my identity like a negative space sketch of rain. I can’t help but recall my conversations, the blankets inspire me, the delicate, familiar movement of taking my glasses off and putting them on the windowsill. I’ve been setting my eyes down on various surfaces every night of my adult life, slowly evolving into someone who doesn’t like to be on top because I can’t see my love’s face from so far away. I remember Marc’s laughter, his climbing strong melody as he cradled my glasses and explained to me very carefully where he was putting them down. Another windowsill. Like mine, to the left, but not the same at all. A queen size bed but we still managed to fall off the sides. I remember Lidd crying, viciously attacking the life given to him, threatening to smash my vision to the street below. Too much alcohol, too little faith. I could see myself in a mirror then without them. Worse now, my astigmatism, my trained lack of sight. I remember lots of things, voices attached to shining blurry faces. Different colours. Lindsay, he had a desk with a computer from 1995. I put my glasses down next to the keyboard, under the red guitar that hung from the brick wall. Lindsay, whose chocolate hands made my skin look like iridescent milk.

A flash to Lung taking a picture down his pants on a dare, how we discussed Oliver’s skin tone as something to photograph nicely against mine. To my silver haired scientist twisting away from my camera, hiding under the blankets, breaking my heart. The beautiful images Alastair would send me long distance, driving my adoration from over a thousand miles away. Kyle was so beautiful I could have cried.

Repetition with improv over the top. Notes of fire, of searing words. Burning too hot, too fast, too aware of the desperation inherent in oxygen, a poison gas when taken straight. I didn’t like the wall sized mirrors in that fugitive hotel, how they turned my blurred body into a pale shifting ghost, messy hair and all. Not to say I don’t find hotels mirrors friendly. The man who is named the evening star, he grasped the delicacy of my blindness right away. Gently murmuring about his father’s death to the glow of craving a cigarette, he ran his hands along my arms, guiding me to where I needed to be. I took a picture in that mirror, wearing his shirt, my hand upraised, a final thank you and eventually, later, a good-bye. He undid the buttons and every doubt I had about my body fell off me in shards, never to return again.

These are the things that stick, a hundred final scenes. Kissing a man in a restaurant, only a few blocks from my apartment. Touching his tattoo and wondering briefly, the closest I’d flirted with infidelity, if anyone would see us. All a long time ago now, these memories held like dried flowers, delicate perfumed things, willing to break details if handled roughly. Photographs seen from the wrong end of a telescope, out of proportion, fading when the phone-calls do.

The Moon Festival starts tonight at 7:00. Renfrew Ravine Park, at 22nd and Renfrew.

Easy to get to by transit: Take the skytrain to 29th Ave. Station, then take the Arbutus bus five minutes to 22nd.

My fire show tonight starts at 7:30. There will be fireworks, an underage contortionist, a band made of eight trombones, a percussionist, and an erhu, and half my crew are delinquents, including one multiply convicted arsonist.

If any of the fire people on my list would like to come perform, I can toss you into our finale if you check in with me early enough.


tabdumping: for those limiting days where I have no time to write

  • Birds for bulbs is a cute site and a great idea. The basic premise is this: If you switch one or more of your light bulbs to a CFL (Compact fluorescent light-bulb, which produces smaller amounts of harmful emissions), and send them an email with your name, they’ll draw you a bird. Your bird shows up on the bird pages with your name as a mouse over, and in return you switch to a cheaper and more effective bulb. Rosemary from Bird and Moon draws the birds, and they’re beautiful. Anyway, it’s a fun demonstration that every little bit counts.” as said by Joey.
  • In order to combat light pollution, city officials in Reykjavik, Iceland, “will turn off street lights on Thursday evening and people are also being encouraged to sit in their houses in the dark.” The clincher: “While the lights are out, an astronomer will describe the night sky over national radio.via WorldChanging via +Z. (Speaking as someone who’s gone so far as to actually disabling street lights, I want to kiss whomever set this up.)